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This book addresses the issue of music consumption in the digital era of technologies. It explores how individuals use music in the context of their everyday lives and how, in return, music acquires certain roles within everyday contexts and more broadly in their life narratives.
Music and technology --- Music --- Music Philosophy --- Music, Dance, Drama & Film --- Management Theory --- Management --- Business & Economics --- Social aspects --- Music and technology. --- Social aspects. --- Music and society --- Technology and music --- Culture --- Communication. --- Music. --- Industries. --- Social sciences. --- Cultural and Media Studies. --- Media Studies. --- Regional and Cultural Studies. --- Social Sciences, general. --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Industrial production --- Industry --- Economics --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Communication, Primitive --- Mass communication --- Sociology --- Cultural studies --- Study and teaching. --- Technology --- Musique et technologie --- Musique --- Aspect social --- Culture-Study and teaching. --- Musique et technologie. --- Aspect social. --- Culture—Study and teaching. --- Industries, Primitive
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Consuming Music in the Digital Age explores issues related to the consumption of music in the digital age of music technologies. In exploring questions related to the material and technological modalities of contemporary music consumption, to the diffusion of music within everyday life, to individuals' affective responses to music, to their taste and to the relevance of music within their life narratives, this book aims to highlight how music increasingly represents an essential resource to individuals' daily lives. It offers a much-needed update to theories from the sociology of music on individual music practices, while also accounting for the various structural elements that come into play in how individuals consume music.
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This book addresses the issue of music consumption in the digital era of technologies. It explores how individuals use music in the context of their everyday lives and how, in return, music acquires certain roles within everyday contexts and more broadly in their life narratives.
Social sciences (general) --- Sociology of culture --- Industrial economics --- Didactics of the arts --- Ethnology. Cultural anthropology --- Mass communications --- Civil engineering. Building industry --- Music --- communicatie --- cultuur --- industrie --- muziek --- sociale wetenschappen --- culturele antropologie
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This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology. .
Culture --- Communication. --- Social media. --- Music. --- Industrial management. --- Religion and culture. --- Cultural and Media Studies. --- Social Media. --- Media and Communication. --- Media Management. --- Sociology of Culture. --- Study and teaching. --- Music and technology. --- Music --- Social aspects. --- Music and society --- Technology and music --- Technology --- Business administration --- Business enterprises --- Business management --- Corporate management --- Corporations --- Industrial administration --- Management, Industrial --- Rationalization of industry --- Scientific management --- Management --- Business --- Industrial organization --- Communication, Primitive --- Mass communication --- Sociology --- User-generated media --- Communication --- User-generated content --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Culture. --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Social aspects
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This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology. .
Journalism --- Religious studies --- Sociology of culture --- Methodology of economics --- Didactics of the arts --- Business management --- Mass communications --- Business economics --- Music --- financieel management --- persbeleid --- streaming --- sociologie --- sociale media --- communicatie --- cultuur --- muziek
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Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.
Music. --- MUSIC / History & Criticism. --- Culture. --- Democracy. --- Gender. --- Music History. --- Musicology. --- New Media. --- Policy. --- Politics. --- Post-Colonialism. --- Post-Communism. --- Society. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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