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Araneae [order] --- Art --- History --- Iconography --- psychology --- Sculpture --- art history --- art [fine art] --- mourning --- psychoanalysis --- sculpting --- parents --- eroticism --- Johns, Jasper --- Levine, Sherrie --- Jean, Marcel --- Giacometti, Alberto --- Bourgeois, Louise --- Hesse, Eva --- Miró, Joan --- Kusama, Yayoi --- Duchamp, Marcel --- Masson, André --- Brancusi, Constantin --- United States --- Mignon Nixon --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Bourgeois Louise --- Frankrijk --- installaties --- Verenigde Staten --- beeldhouwkunst --- psychoanalyse --- lichamelijkheid --- kunst en psychoanalyse --- feminisme --- gender studies --- Klein Melanie --- 7.071 BOURGEOIS --- Feminism and art. --- Psychoanalysis and art. --- Bourgeois, Louise, --- Feminism and art --- Psychoanalysis and art --- Art and psychoanalysis --- Art and feminism --- art [discipline] --- dood --- kunstpsychologie --- United States of America
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7.07 --- 73.07 --- 7.01 --- Beeldhouwkunst ; installaties ; 1960-1970 ; Eva Hesse --- Arte Povera --- Minimal Art ; Post-Minimal --- Process Art --- Kunst ; van vrouwen ; 20ste eeuw --- Kunsttheorie ; teksten en essays ; October Files --- Hesse, Eva 1936-1970 (°Hamburg, Duitsland) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A-Z --- Kunst ; theorie, filosofie, esthetica --- Sculpture --- Painting --- sculpture [visual works] --- installations [visual works] --- Minimal --- easel paintings [paintings by form] --- Hesse, Eva --- paintings [visual works]
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Une étude critique de l’art de Louise Bourgeois des années 1940 aux années 1980 : son départ du surréalisme et son dialogue avec la psychanalyse. Une étude critique de l’art de Louise Bourgeois des années 1940 aux années 1980 : son départ du surréalisme et son dialogue avec la psychanalyse. L’art de Louise Bourgeois met en scène une rencontre dynamique entre l’art moderne et la psychanalyse, affirme Mignon Nixon dans la première étude critique grandeur nature de l’œuvre de l’artiste. Figure centrale de l’art du XXe siècle, Louise Bourgeois (née en 1911, France) a émigré à New York en 1938 et travaille et expose encore activement aujourd’hui. De la lutte formatrice de Bourgeois avec les figures paternelles du surréalisme, dont André Breton et Marcel Duchamp, à son rôle galvanisant dans le mouvement artistique féministe des années 1970, en passant par son émergence ultérieure en tant que voix de premier plan dans le postmodernisme, ce livre explore les réponses de l’artiste à la guerre, à la dislocation et à la maternité, à la situation difficile de la femme artiste et à la politique de libération sexuelle et sociale...
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When Mary Kelly's best-known work, Post-Partum Document (1973-1979), was shown at the Institute of Contemporary Art in London in 1976, it caused a sensation-an unexpected response to an intellectually demanding and aesthetically restrained installation of conceptual art. The reception signaled resistance to the work's interrogation of feminine identity and the cultural mythologizing of motherhood. This volume of essays and interviews begins with this foundational work, offering an early statement by the artist, a subsequent interview, and an essay situating the work within a broader broader discourse of art and social purpose in the early 1970s. Throughout, the collection addresses such themes as labor, war, trauma, and the politics of care, while emphasizing the artist's sustained engagement with histories of feminism and generations of feminists. The contributions also consider such specific works as Kelly's Interim (1984-1989), the subject of a special issue of October; Gloria Patri (1992), an installation conceived in response to the first Gulf War; The Ballad of Kastriot Rexhepi (2001), an extensive project including a 200-foot narrative executed in the medium of compressed lint and the performance of a musical score by Michael Nyman; and two recent works, Love Songs (2005-2007), which explores the role of memory in feminist politics, and Mimus (2012), a triptych that parodies the House Un-American Activities Committee's 1962 investigation of the pacifist group, Women Strike for Peace. Essays and Interviews by Parveen Adams, Emily Apter, Rosalyn Deutsche, Hal Foster, Margaret Iversen, Mary Kelly, Helen Molesworth, Laura Mulvey, Mignon Nixon, Griselda Pollock, Paul Smith. Mary Kelly, née en 1941, est une artiste féministe américaine, liée à l'art conceptuel. L'analyse marxiste féministe de la division sexuelle du travail et la psychanalyse sont au cœur de ses préoccupations et de son œuvre.
Kelly, Mary, --- Feminism and art. --- Criticism and interpretation. --- Critique et interprétation. --- Post-partum document (Kelly, Mary) --- Post-partum document (Kelly, Mary). --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- 7.01 --- Beeldende kunst ; installaties ; 20ste eeuw ; M. Kelly --- Conceptuele kunst --- Kunst en feminisme --- Kelly, Mary °1941 (°Fort Dodge, Iowa, Verenigde Staten) --- Kunsttheorie ; teksten en essays ; October Files --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Vrouwelijke kunstenaars --- Kunst ; theorie, filosofie, esthetica --- Masculinity in art --- Feminism and art --- Art conceptuel --- Féminisme --- Installation-art --- Kelly, Mary, - 1941 --- -Kelly, Mary, 1941 --- -7.07 --- Kelly, Mary, 1941 --- -Kelly, Mary, - 1941 --- -Feminism and art. --- Féminisme et art.
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Lawler, Louise --- Wilson, Fred --- Duchamp, Marcel --- Morris, Robert --- Warhol, Andy --- Ruscha, Ed --- Oldenburg, Claes --- Conner, Bruce --- Levine, Sherrie --- Arensberg, Walter --- Duchamp, Marcel, --- Criticism and interpretation --- Influence --- Duchamp, Marcel, - 1887-1968 - Criticism and interpretation --- Duchamp, Marcel, - 1887-1968 - Influence --- Duchamp, Marcel, - 1887-1968
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Iconography --- Art --- Sculpture --- Painting --- installations [visual works] --- painting [image-making] --- performance art --- eroticism --- sculpting --- Kusama, Yayoi
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Louise Bourgeois: The Return of the Repressed shows the enduring presence of psychoanalysis as a motivational force and a site of exploration in her life and work. Selected and edited by Philip Larratt-Smith, her literary archivist, these texts provide a comprehensive overview and re-reading covering 60 years of artistic production. The second volume in this gorgeous set also serves as an impressive and up-to-date monograph, detailing works up until the artist's death in 2010. An astonishing selection of approximately 80 unpublished writings by Louise Bourgeois appears here in print for the first time, which, combined with eight extensive scholarly essays turns our critical understanding of Bourgeois' work on its head. A new and unprecedented insight into the work of one of the 20th century's greatest artists.
705.8 --- Bourgeois, Louise --- conceptuele kunst --- grafiek --- installaties --- textiel --- textielkunst --- kunstgeschiedenis, 20e eeuw --- 7.07 --- 73.07 --- Beeldhouwkunst ; installaties ; environments ; Louise Bourgeois --- Bourgeois, Louise 1911-2010 (°Parijs, Frankrijk) --- Gender Studies --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Kunst en feminisme --- Textiele kunst ; installaties --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Psychoanalysis and art. --- Bourgeois, Louise, --- Psychology. --- MAD-faculty 12 --- kunst 20-21ste eeuw --- psychoanalyse --- proza
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Sex in art --- Feminism and art --- Sexualité dans l'art --- Féminisme et art --- Exhibitions --- Expositions --- Bourgeois, Louise, --- 7.071 BOURGEOIS --- Bourgeois, Louise --- beeldhouwkunst --- Bourgeois Louise --- Frankrijk --- installaties --- kunst --- twintigste eeuw --- Verenigde Staten --- Contemporary [style of art] --- Exhibitions.
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