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Motion pictures in propaganda --- Motion pictures --- Documentary films --- Cold War in motion pictures --- Motion pictures, American --- Cinéma dans la propagande --- Cinéma --- Documentaires --- Guerre froide au cinéma --- Cinéma américain --- History --- Political aspects --- Histoire --- Aspect politique --- Exposition universelle et internationale --- United States --- Etats-Unis au cinéma --- In motion pictures. --- Cinéma dans la propagande --- Cinéma --- Guerre froide au cinéma --- Cinéma américain --- Expo (International Exhibitions Bureau) --- Etats-Unis au cinéma

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This book explores representations of race and ethnicity in contemporary cinema and the ways in which these depictions all too often promulgate an important racial ideology: the myth of colorblindness. Colorblindness is a discursive framework employed by mainstream, neoliberal media to celebrate a multicultural society while simultaneously disregarding its systemic and institutionalized racism. This collection is unique in its examination of such films as Ex Machina, The Lone Ranger, The Blind Side, Zootopia, The Fast and the Furious franchise, and Dope, which celebrate the myth of colorblindness, yet perpetuate and entrench the racism and racial inequities that persist in contemporary society. While the #OscarsSoWhite movement has been essential to bringing about structural changes to media industries and offers the opportunity for a wide diversity of voices to alter and transform the dominant, colorblind narratives continue to proliferate. As this book demonstrates, Hollywood still has a long way to go.

Motion pictures --- Ethnicity. --- Motion pictures. --- Popular Culture. --- Culture. --- Gender-blindness. --- Grups ètnics --- Raça --- Temes en la cinematografia --- Genderblindness --- Social sciences --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Ethnic identity --- Group identity --- Cultural fusion --- Multiculturalism --- Cultural pluralism --- Motius en la cinematografia --- Amor en la cinematografia --- Art en la cinematografia --- Dones en la cinematografia --- Història en la cinematografia --- Homosexualitat en la cinematografia --- Realisme (Cinematografia) --- Rol sexual en la cinematografia --- Temps en la cinematografia --- Terrorisme en la cinematografia --- Violència en la cinematografia --- Methodology --- Social aspects --- History and criticism --- Estats Units d'Amèrica --- E.U.A. --- EE.UU. --- EUA --- Estados Unidos de América --- Estats Units --- U.S.A. --- United States --- United States of America --- USA --- Amèrica del Nord --- Alabama --- Alaska --- Arizona --- Arkansas --- Califòrnia --- Carolina del Nord --- Carolina del Sud --- Colorado --- Connecticut --- Dakota del Nord --- Dakota del Sud --- Delaware --- Florida --- Geòrgia --- Guadalupe Mountains (Estats Units d'Amèrica : Serralada) --- Hawaii --- Idaho --- Illinois --- Indiana --- Iowa --- Kansas --- Kentucky --- Louisiana --- Maine --- Maryland --- Massachusetts --- Michigan --- Minnesota --- Mississipí --- Missouri --- Montana --- Nebraska --- Nevada --- Nou Hampshire --- Nou Mèxic --- Nova Jersey --- Nova York (Estat) --- Oest (Estats Units d'Amèrica) --- Ohio --- Oklahoma --- Oregon --- Pennsilvània --- Rhode Island --- Tennessee --- Texas --- Utah --- Vermont --- Virgínia --- Virgínia de l'Oest --- Washington (Districte de Colúmbia) --- Washington (Estat) --- Wisconsin --- Wyoming --- Yellowstone National Park --- Races humanes --- Antropologia física --- Blancs --- Etnocentrisme --- Ètnies --- Grup ètnic --- Tipus ètnics --- Antropologia cultural --- Aborígens --- Art primitiu --- Etnicitat --- Ètnies d'Àfrica --- Ètnies d'Amèrica --- Ètnies d'Àsia --- Ètnies d'Oceania --- Relacions ètniques --- Pobles indígenes --- Est (Estats Units d'Amèrica) --- Minorities in motion pictures --- Racism in motion pictures --- Race relations in motion pictures

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"This volume examines the ways in which the media, including film, television, social media, and gaming has constructed and sustained a narrative of white supremacy that has entered mainstream American discourse. With chapters by today's preeminent critical race scholars, the book looks in particular at the ways media institutions have circulated white supremacist ideology across a wide range of platforms and texts that have had significant impact on shaping our current polarized and racialized social and political landscape. Systematically scrutinising every media platform, this volume provides readers with an understanding of the ways in which media has provided institutional support for white supremacist ideology, and presents them with the means to examine and analyse the persistence of these narratives within our racial discourse, thus offering the necessary knowledge to challenge and transform these racially divisive and destructive narratives. White Supremacy and the American Media will be of interest not only to scholars working in critical race studies and popular culture in the United States, but to those working in the fields of Film and Television Studies, Sociology, Geography, Art History, Communication and Media Studies, Cultural Studies, American Studies, Popular Culture, and Media Studies"--

Mass media --- Mass media --- White nationalism in mass media. --- Social aspects --- Political aspects