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Documentary films --- #SBIB:023.AANKOOP --- #SBIB:309H1329 --- History and criticism. --- Films met een informatieve functie (met inbegrip van de documentaire film) --- History and criticism --- Films documentaires --- Histoire et critique

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#SBIB:309H520 --- Edited by Bill Nichols --- film --- filmkritiek --- filmtheorie --- naslagwerk --- politiek --- film en politiek --- filmgenres --- semiotiek --- semiologie --- marxisme --- gender studies --- 791.41 --- Audiovisuele communicatie: algemene werken --- Motion pictures. --- #SBIB:309H522 --- Audiovisuele communicatie: kritiek --- Riefenstahl Leni --- Derde Wereld --- Capra Frank --- Serpico --- Coppola Francis Ford --- Godard Jean-Luc --- Rocha Glauber --- Jones Chuck --- Avery Tex --- etnografische film --- Bacon Lloyd --- Pakula Allan J. --- Klute --- Smith Judy --- Alaimo Louise --- Sorrin Ellen --- auteurtheorie --- Truffaut François --- Citizen Kane --- Fuller Sam --- Shock Corridor --- To Have and Have Not --- regie --- Borzage Frank --- Rio Lobo --- Antonioni Michelangelo --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Film --- Cinéma --- Vertov Dziga --- Eisenstein Sergei --- cartoons --- animatie --- tekenfilm --- etnografie --- westerns --- feminisme --- Bergman Ingmar --- von Sternberg Josef --- Welles Orson --- Hawks Howard --- Warhol Andy --- film noir --- Sharits Paul --- Pakula Allan J

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This book provides a one-of-a-kind overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, from the law to anthropology, and from history to journalism, this book spells out the distinguishing qualities of documentary. A wide-ranging and freewheeling form of filmmaking, documentary has not yet received a proper, written introduction to its public, or its future makers. Introduction to Documentary is not organized as a history of the form although its examples span a century of filmmaking. Instead, this book offers suggestive answers to basic issues that have stood at the center of all debate on documentary from its very beginnings to today. Each chapter takes up a distinct question from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary?" These questions move through issues of ethics, form, modes, voice, history and politics, among others. A final chapter addresses the question of how to write about documentary in a clear, convincing manner. Introduction to Documentary provides the foundational key to further explorations in this exceptionally vital area of filmmaking today.

film --- documentaires --- documentaire film --- 791.41 --- Media --- Journalistiek --- Documentaire --- 799.5 --- non-fictie --- #SBIB:309H1329 --- filmgenres en -motieven, documentaire films --- Films met een informatieve functie (met inbegrip van de documentaire film) --- Documentary films --- History and criticism. --- History and criticism

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The third edition of Bill Nichols’s text provides an up-to-date introduction to the most important issues in documentary history and criticism. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction and includes an example of a project proposal for a film that went on to win awards at major festivals. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the genre’s distinguishing qualities and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Here Nichols has fully rewritten each chapter for greater clarity and ease of use, including revised discussions of earlier films and new commentary on dozens of recent films from The Cove to The Act of Killing and from Gasland to Restrepo. -- Publisher.

Documentary films --- Documentaires --- History and criticism. --- Histoire et critique --- Film --- #SBIB:309H1329 --- #SBIB: --- Films met een informatieve functie (met inbegrip van de documentaire film) --- LANGUAGE ARTS & DISCIPLINES ǂx Journalism. ǂ2 bisacsh --- Documentary films. ǂ2 fast ǂ0 (OCoLC)fst00896079 --- LANGUAGE ARTS & DISCIPLINES --- Documentary films. --- Journalism. --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures)

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Introduction to Documentary provides a one-of-a-kind overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, from the law to anthropology, and from history to journalism, this book spells out the distinguishing qualities of documentary. A wide-ranging and freewheeling form of filmmaking, documentary has not yet received a proper, written introduction to its public, or its futur

Documentary films. --- Documentary films - History and criticism. --- History and criticism. --- Documentary films --- Music, Dance, Drama & Film --- Film --- History and criticism