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"Cancel culture" has become one of the most charged concepts in contemporary culture and politics, but mainstream critiques from both the left and the right provide only snapshots of responses to the phenomenon. Taking a media and cultural studies perspective, this book traces the origins of cancel practices and discourses, and discusses their subsequent evolution within celebrity and fan cultures, consumer culture, and national politics in the U.S. and China. Moving beyond popular press accounts about the latest targets of cancelling or familiar free speech debates, this analysis identifies multiple lineages for both cancelling and criticisms about cancelling, underscoring the various configurations of power associated with "cancel culture" in particular cultural and political contexts."--Back cover.
Cancel culture. --- Canceling (Cancel culture) --- Cancellation (Cancel culture) --- Boycotts --- Rejection (Psychology) --- Sociology of culture --- Social media --- Social media and society. --- Political aspects. --- Society and social media --- User-generated media --- Communication --- User-generated content --- Social aspects
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"Mainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. U.S. networks Bravo and Logo broke new ground in the 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media"--
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"We have been waiting for Eve Ng's book on "cancel culture." By plumbing the varied political and popular genealogies of cancel culture -- from fan communities and Black counter-publics to U.S. culture warriors and contemporary Chinese nationalisms -- Ng gives readers the tools they need to understand this ever-changing phenomenon, as well as the central role media culture plays in its transformation." - Carrie Rentschler, William Dawson Scholar of Feminist Media Studies, McGill University, Canada "Eve Ng's wide-ranging book maps the origins and diverse forms of "cancel culture" as it intersects with entertainment media, digital activism, and racial, national, and transnational politics. Written with gusto and sensitivity, this timely study illuminates the role of digital media in shaping popular cultural discourse. Highly recommended to all readers interested in contemporary media culture and politics." - Guobin Yang, Professor of Communication and Sociology, University of Pennsylvania, USA "Cancel culture" has become one of the most charged concepts in contemporary culture and politics, but mainstream critiques from both the left and the right provide only snapshots of responses to the phenomenon. Taking a media and cultural studies perspective, this book traces the origins of cancel practices and discourses, and discusses their subsequent evolution within celebrity and fan cultures, consumer culture, and national politics in the U.S. and China. Moving beyond popular press accounts about the latest targets of cancelling or familiar free speech debates, this analysis identifies multiple lineages for both cancelling and criticisms about cancelling, underscoring the various configurations of power associated with "cancel culture" in particular cultural and political contexts. Eve Ng is Associate Professor in the School of Media Arts and Studies and the Women's, Gender, and Sexuality Studies program at Ohio University, USA. Her interdisciplinary scholarship examines LGBTQ media, digital media cultures, and constructions of national identity. She has published in numerous journals, including Communication, Culture & Critique, Development and Change, Feminist Media Studies, Feminist Studies, International Journal of Communication, Journal of Film and Video, Popular Communication, and Transformative Works and Culture.
Philosophy and psychology of culture --- Sociology of culture --- Mass communications --- communicatie --- cultuur
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"Mainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. U.S. networks Bravo and Logo broke new ground in the 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media"--
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