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This title gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history genre and medium, analysis and criticism, and interpretation.

Motion picture music --- History and criticism.

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By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpret

Motion picture music --- Analysis, appreciation. --- History and criticism. --- Background music for motion pictures --- Film music --- Film scores --- Motion pictures --- Movie music --- Moving-picture music --- Dramatic music --- Music

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Motion picture music --- Film soundtracks --- Film, Musique de --- Bandes sonores (Cinéma) --- History and criticism. --- Analysis, appreciation. --- Production and direction --- History. --- Histoire et critique --- Analyse et appréciation --- Production et réalisation --- Histoire

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Motion picture music --- Film soundtracks --- Film, Musique de --- Bandes sonores (Cinéma) --- History and criticism. --- Analysis, appreciation. --- Production and direction --- History --- Histoire et critique --- Analyse et appréciation --- Production et réalisation --- Histoire --- History. --- Bandes sonores (Cinéma) --- Analyse et appréciation --- Production et réalisation

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