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wars --- battles --- alcoholism --- sculpting --- stuccowork --- invloed van antieke kunst --- Italian Renaissance-Baroque styles --- Florence, Palazzo Scala
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depictions [visual works] --- ethnicity --- race [group of people] --- Angelico [Fra] --- anno 1400-1499
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Museum visitors today usually see pre-16th-century Italian painted altarpieces exhibited alone, as single paintings. This catalogue shows that these works were once part of decorative, integrated schemes, and the original experience for viewers of the paintings was significantly different from our own.
altarpieces --- Painting --- Italian Renaissance-Baroque styles --- painting [image-making] --- History of civilization --- National Gallery [London] --- anno 1400-1499 --- anno 1200-1299 --- anno 1300-1399 --- Italy --- altaarstukken --- 13de eeuw --- 14de eeuw --- 15de eeuw --- Italië --- altaarstukken. --- 13de eeuw. --- 14de eeuw. --- 15de eeuw. --- Italië.
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attribution --- collection development --- Salvi, Giovanni Battista --- Perugino, Pietro --- National Gallery [London]
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Art --- History of Italy --- violence --- Renaissance --- anno 1400-1499 --- Florence --- Violence in art. --- Art, Renaissance --- Art, Italian --- kunstsociologie
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Leonardo da Vinci’s reputation as an inventor and scientist, and the complexity of his creativity and personality, have sometimes almost overshadowed the importance of his aims and techniques as a painter. Leonardo da Vinci: Painter at the Court Of Milan focuses on a crucial period in the 1480s and '90s when, as a salaried court artist to Duke Ludovico Sforza in the city-state of Milan, freed from the pressures of making a living in the commercially minded Florentine republic, Leonardo produced some of the most celebrated – and influential – work of his career.The Last Supper, his two versions of The Virgin of the Rocks, and the beautiful portrait of Ludovico’s mistress, Cecilia Gallerani (The Lady with an Ermine) were paintings that set a new standard for his Milanese contemporaries. Leonardo’s style was magnified, through collaboration and imitation, to become the visual language of the regime, and by the time of his return to Florence in 1500, his status was utterly transformed.
Art --- court art --- Ludovico Sforza [Duke of Milan] --- Leonardo da Vinci --- Milan
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heroes --- heroines --- spalliere [paintings] --- Botticelli, Sandro
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Sculpture --- Applied arts. Arts and crafts --- medals --- sculpture [visual works] --- Italian Renaissance-Baroque styles --- Bertoldo di Giovanni --- Medici, de', Lorenzo I --- Florence
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