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This book is a manifesto in which love and crisis imbue each other with the spirit of care. Bonaventure Ndikung calls on those in its belly to seize the means of the production of caring from the beast of state power and corporate greed. ?Arjun Appadurai.

Caring --- Philosophy. --- Social justice --- Political aspects --- Social aspects --- Ndikung, Bonaventure Soh Bejeng

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A new vision for activist curatorial practice. In Pidginization as Curatorial Method: Messing with Languages and Praxes, renowned curator and director Bonaventure Soh Bejeng Ndikung proposes Pidgin languages as expressions of resistance to settler colonialism and pidginization as a way to approach curating (and the world), creating new spaces for encounter, knowledge, and pluralities. Deftly deploying the thinking, writing, and rhythmic beat of musicians, philosophers, linguists, poets, and novelists, Ndikung offers a new vision for activist curatorial practice and beyond.

Muséologie --- Colonialisme --- Conservation. --- Curatorship. --- Linguistics in art. --- Linguistique dans l'art. --- Pidgin languages. --- Art --- Curatorship --- Pidgin languages --- Linguistics in art --- Language and languages in art --- Language

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Art --- art [discipline] --- migration [function] --- globalization --- Öğüt, Ahmet --- Castillo Deball, Mariana --- Fujiwara, Simon --- Hoyt, Satch --- Ogboh, Emeka --- Rizzi, Mario --- Sonntag, Jan-Peter E.R. --- Mwangi Hutter --- Lippard, Hanne --- Karilampi, Ilja --- Calero, Sol --- Naumann, Henrike --- Jacobsen, Stine Marie --- Baron-Bonarjee, Dominique --- Maimon, Dafna --- Bruzzone, Marco --- Fourie, Abrie --- Quraishi, Ibrahim --- Benjamin, Marisa --- Anguezomo Mba Bikoro, Nathalie --- Dayhew, Lucinda --- Galeano, Andrés --- al-Hamwi, Fadi --- Oravecz, Timea Anita --- Radovic, Marijana --- Özgünaydιn, Funda --- Howes, Emma Waltraud --- Shadi, Lerato --- Kalden, Sven --- Fischbeck, Contanze --- Vert, Viron Erol --- Gied, Surya --- Feizabadi, Azin --- Jordan, Anne Duk Hee --- Lachauer, Cyrill --- Engelmann, Antje --- Huanca, Donna --- Clarke, Elly --- Fornieles, Ed --- Kropp, Jenny --- Niemann, Alberta --- Weaver, Grace --- Youden, Lauryn --- Ting, Liping

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kunst --- activisme --- feminisme --- 7.039 --- beeldhouwkunst --- installaties --- kunst en openbare ruimte --- arbeid --- postkolonialisme --- gender studies --- racisme --- kunst en politek --- eenentwintigste eeuw --- Exhibitions --- Art --- music [performing arts] --- philosophy --- sound [acoustics] --- labor --- philosophy of art --- music [performing arts genre]

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A survey of Imran Mir's abstract and contemplative work, with fifteen essays. Published on the occasion of the exhibition "Sedje Hémon. Imran Mir. Abdias Nascimento. Abstracting Parables", as part of the international Arnhem based art manifestation sonsbeek20→24, at Stedelijk Museum, Amsterdam, in 2022. Pakistani artist, sculptor, and designer Imran Mir's (1950-2014) oeuvre can be interpreted as a constant refusal to provide comprehensive elaboration beyond what one experiences. The act of contemplation is a guiding principle to interpreting Imran Mir's work, an approach that reverberates into a practice that grew out of conversations with a community of artists, activists, poets, relatives, and other thinkers in Karachi. Non-figurative, non-representational, geometrical and very bold, Imran Mir's works can be read as theorems and positions on multiple modernisms and abstractions. Without being a critique or a response, he played with the rules, bypassing and expanding them to other realms to explore ways of being, ways of knowing time and space outside of the confinements of the West.

75.071 --- kunst --- kunstenaars --- schilderkunst --- Pakistan --- abstracte kunst --- abstractie --- Sonsbeek --- Mir Imran --- twintigste eeuw --- Art --- sculpture [visual works] --- design [discipline] --- mathematics --- geometry --- abstraction --- texts [documents] --- narrative art --- Mir, Imran