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Arguing that the consecrated body in the Eucharist is one of the central metaphors structuring The Divine Comedy, this book is the first comprehensive exploration of the theme of transubstantiation across Dante's epic poem. Drawing attention first to the historical and theological tensions inherent in ideas of transubstantiation that rippled through Western culture up to the early fourteenth century, Sheila Nayar engages in a Eucharistic reading of both the "flesh" allusions and "metamorphosis" motifs that thread through the entirety of Dante's poem. From the cannibalistic resonances of the Ugolino episode in the Inferno to the Corpus Christi-like procession seminal to Purgatory, Nayar demonstrates how these sacrifice- and Host-related metaphors, allusions, and tropes lead directly and intentionally to the Comedy's final vision, that of the Eucharist itself. Arguing that the final revelation in Paradise is analogically "the Bread of Life," Nayar brings to the fore Christ's centrality (as sacrament) to The Divine Comedy-a reading that is certain to alter current-day thinking about Dante's poem.
Eucharistie --- Chair (théologie) --- Transsubstantiation --- Dans la littérature. --- Dante Alighieri
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This book foregrounds the pressures that three transformative technologies in the long sixteenth century—the printing press, gunpowder, and the magnetic compass—placed on long-held literary practices, as well as on cultural and social structures. Sheila J. Nayar disinters the clash between humanist drives and print culture; places the rise of gunpowder warfare beside the equivalent rise in chivalric romance; and illustrates fraught attempts by humanists to hold on to classicist traditions in the face of seismic changes in navigation. Lively and engaging, this study illuminates not only how literature responded to radical technological changes, but also how literature was sometimes forced, through unanticipated destabilizations, to reimagine itself. By tracing the early modern human’s inter-animation with print, powder, and compass, Nayar exposes how these technologies assisted in producing new ways of seeing, knowing, and being in the world.
Europe-History-1492-. --- Technology-History. --- Literature-History and criticism. --- Literature, Modern. --- Books-History. --- History of Early Modern Europe. --- History of Technology. --- Literary History. --- Early Modern/Renaissance Literature. --- History of the Book. --- Modern literature --- Arts, Modern --- Europe—History—1492-. --- Technology—History. --- Literature—History and criticism. --- Books—History.
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"For more than half a century now, scholars have debated over what comprises a 'genuinely' religious film one that evinces an 'authentic' manifestation of the sacred. Often these scholars do so by pitting the 'successful' films against those which propagate an inauthentic spiritual experience with the biblical spectacular serving as their most notorious candidate. This book argues that what makes a filmic manifestation of the sacred true or authentic may say more about a spectator or critic's particular way of knowing, as influenced by alphabetic literacy, than it does about the aesthetic or philosophical and sometimes even faith-based dimensions of the sacred onscreen. Engaging with everything from Hollywood religious spectaculars, Hindu mythologicals, and an international array of films revered for their 'transcendental style,' The Sacred and the Cinema unveils the epistemic pressures at the heart of engaging with the sacred onscreen. The book also provides a valuable summation of the history of the sacred as a field of study, particularly as that field intersects with film."--Bloomsbury Publishing.
Motion pictures --- Religion in motion pictures. --- Religious films --- Religion and motion pictures --- Religious aspects.
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This book foregrounds the pressures that three transformative technologies in the long sixteenth century—the printing press, gunpowder, and the magnetic compass—placed on long-held literary practices, as well as on cultural and social structures. Sheila J. Nayar disinters the clash between humanist drives and print culture; places the rise of gunpowder warfare beside the equivalent rise in chivalric romance; and illustrates fraught attempts by humanists to hold on to classicist traditions in the face of seismic changes in navigation. Lively and engaging, this study illuminates not only how literature responded to radical technological changes, but also how literature was sometimes forced, through unanticipated destabilizations, to reimagine itself. By tracing the early modern human’s inter-animation with print, powder, and compass, Nayar exposes how these technologies assisted in producing new ways of seeing, knowing, and being in the world.
Book history --- Engineering sciences. Technology --- Literature --- History --- History of Europe --- nieuwste tijd --- geschiedenis --- literatuur --- technologie --- literatuurgeschiedenis --- Europese geschiedenis --- Renaissance --- nieuwe tijd --- boeken --- anno 1400-1499 --- anno 1500-1599 --- Europe
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Book history --- Engineering sciences. Technology --- Literature --- History --- History of Europe --- nieuwste tijd --- geschiedenis --- literatuur --- technologie --- literatuurgeschiedenis --- Europese geschiedenis --- Renaissance --- nieuwe tijd --- boeken --- anno 1400-1499 --- anno 1500-1599 --- Europe
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