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Riemenschneider, Tilman --- Riemenschneider, Tilman, --- Dill, Meister, --- Meister Dill, --- Meister Till, --- Meister Tyl, --- Riemenschneider, Dill, --- Riemenschneider, Hans Tilmann, --- Riemenschneider, Tilmann, --- Till, Meister, --- Tyl, Meister, --- Exhibitions
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Art, American --- Art, European --- Nationalism and art --- Art and nationalism --- Art --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists) --- Congresses --- art [fine art] --- nationalism --- congres / 1987 --- art [discipline]
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Painting, Italian --- Painting, Renaissance --- Paintings, Renaissance --- Renaissance painting --- Italian painting --- Congresses --- Titian, --- Titian --- Titiaan --- Titien --- Tizian --- di Gregorio Vecellio, Tiziano --- Ticijan, --- Titiano Vecellio, --- Titianus, --- Titien, --- Tit︠s︡ian, --- Tizian, --- Tiziano, --- Tiziano Vecelli, --- Tycjan, --- Vecelli, Tiziano, --- Vecellio, Tiziano, --- Vechellio, Tit︠s︡iano, --- Criticism and interpretation --- Congresses. --- congres / 1990
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A collection of paied essays, written by some of the most noted scholars in their fields, this volume represents an instructive sample of approaches to the history of world art of all periods, covering ancient Egypt, Mesopotamia, preconquest Mexico and Peru, Islam, China, Japan, Renaissance and baroque Italy, eighteenth- and nineteenth-century France, and the United States in the twentieth century and today. The book is structured as a series of dialogues, each focusing on an issue, a period, or a crux of scholarship. As a common thread, they propose new readings of works in cultural context and challenge traditional concepts and classifications, suggesting both the coherence and the complexity of art history in the twenty-first century.
History of civilization --- Art --- Art. --- History --- Art - Congresses --- Art - History - Congresses
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Applied arts. Arts and crafts --- anno 1400-1499 --- Europe --- houtsneden --- geschiedenis --- manuscripten --- miniaturen --- 15de eeuw --- Europa --- 76 <4> "14" --- 761 <4> --- 761.1 --- Grafische kunsten. Grafiek. Prentkunst--Europa--15e eeuw. Periode 1400-1499 --- Hoogdruktechnieken in de grafische kunst--Europa --- Hoogdruktechnieken: houtsneden --- Conferences - Meetings --- 761.1 Hoogdruktechnieken: houtsneden --- 761 <4> Hoogdruktechnieken in de grafische kunst--Europa --- 76 <4> "14" Grafische kunsten. Grafiek. Prentkunst--Europa--15e eeuw. Periode 1400-1499 --- Art and society --- Wood-engraving, European --- European wood-engraving --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- houtsnede --- houtsnede. --- geschiedenis. --- manuscripten. --- miniaturen. --- 15de eeuw. --- Europa. --- Gravure sur bois européenne --- Art et société --- 15e siècle --- Histoire
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Among the precursors of today’s public museums, perhaps the most important are collections of sculpture formed in the early modern era by royal families, aristocratic amateurs, and artists. In this, the first book to survey the practice of collecting sculpture from late medieval times to the 19th century, twenty renowned scholars explore the collections of eminent artists and great princes throughout Europe. The case studies examine acquisition methods and the value that collectors placed on sculpture - coins, reliefs, busts, and statues - for opulent interior decoration and outdoor display or for use as studio models. A wide range of topics is explored, including the appeal of antiquities, the Medici ivory collection, and the business of supplying garden statues in Northern Europe, as well as ways of displaying sculpture and the meanings it had when placed on the façade of a villa or in a palace garden.
Sculpture --- collecting --- anno 1500-1799 --- Europe --- Sculpture, European --- Collectors and collecting --- Conferences - Meetings --- Stonework, Decorative --- Art --- Bas-relief --- Statues --- European sculpture --- Sculpture, Primitive --- Sculpture, European - Congresses --- Sculpture - Collectors and collecting - Europe - Congresses
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art [fine art] --- Polemology --- civil wars --- Art --- anno 1800-1899 --- United States --- History --- Civil War, 1861-1865 --- Art and the war --- Art and history --- Collective memory --- Congresses --- art [discipline] --- United States of America
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Drawing --- drawing [image-making] --- National Gallery of Canada [Ottawa, Ont.] --- England --- Germany --- France --- Italy --- Spain --- Netherlands --- Belgium
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