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This book examines Azerbaijani musical culture of the soviet and post-soviet era with a special focus on mugam . Mugam , bringing together classical poetry with musical improvisation, is examined as a symbol of both continuity and adaptability in response to the social, political and gender dynamics of the Soviet Union.
Music --- Maqām --- Makam --- Muğam --- Mugham --- Nagham --- Melody --- Music theory --- Musical intervals and scales --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- Maqam
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Empresses --- Kings and rulers in opera. --- Opera --- Opera --- Women in opera. --- Women opera producers and directors --- History --- History
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Opera --- Opera --- Empresses --- Women opera producers and directors --- Kings and rulers in opera. --- Women in opera. --- History --- History
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Music in the American Diasporic Wedding explores the complex cultural adaptations, preservations, and fusions that occur in weddings between couples and families of diverse origins. Discussing weddings as a site of negotiations between generations, traditions, and religions, the essays gathered here argue that music is the mediating force between the young and the old, ritual and entertainment, and immigrant lore and assimilation. The contributors examine such colorful integrations as klezmer-tinged Mandarin tunes at a Jewish and Taiwanese American wedding, a wedding services industry in Chicago's South Asian community featuring a diversity of wedding music options, and Puerto Rican cultural activists dancing down the aisles of New York's St. Cecilia's church to the thunder of drums and maracas and rapping their marriage vows. These essays show us what wedding music and performance tell us about complex multiethnic diasporic identities and remind us that how we listen to and celebrate otherness defines who we are.1. This book offers a new and innovative look at weddings, music, and identity within different American diasporic communities.2. It includes perspectives from a variety of disciplines and lay performers and the authors of the volume use a variety of research methods including ethonography and auto-ethnography.3. The collection is edited by a well-respected returning IUP author and contains work by senior and up-and-coming scholars.
Intermarriage --- Folk music --- Wedding music --- History and criticism.
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Whether referred to as mermaid, usalka, mami wata, or by some other name, and whether considered an imaginary being or merely a person with extraordinary abilities, the siren is the remarkable creature that has inspired music and its representations from ancient Greece to present-day Africa and Latin America. This book, co-edited by a historical musicologist and an ethnomusicologist, brings together leading scholars and some talented newcomers in classics, music, media studies, literature, and cultural
Sirens (Mythology) --- Sex in music. --- Women in music. --- Feminism and music. --- Music and feminism --- Music --- Sexuality in music --- Mythology, Classical --- Mermaids --- 78.29.2 --- Comparative religion
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Music --- Minorities --- Music and identity politics --- Social aspects --- Music
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