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This volume examines the challenges cinemas in small European countries have faced since 1989. It explores how notions of scale and »small cinemas« relate to questions of territory, transnational media flows, and globalization. Employing a variety of approaches from industry analysis to Deleuze & Guattari's concept of the »minor«, contributions address the relationship of small cinemas to Hollywood, the role of history and memory, and the politics of place in post-Socialist cinemas. »Die Globalität von Herausgebern, Autorinnen und Autoren dieses Bandes ist beeindruckend.« Hans Helmut Prinzler, www.hhprinzler.de, 28.07.2015
Motion pictures --- Performing arts --- Show business --- Arts --- Performance art --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- History and criticism --- Film; National Cinemas; Europe; Globalization; Media Studies --- Europe. --- Globalization. --- Media Studies. --- National Cinemas.
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Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extra
Experimental films --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Video art --- History and criticism. --- History --- History and criticism
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A new take on Afrofuturism, this book gathers together a range of contemporary voices who, carrying legacies of 500 years of contact between Africa, Europe, and the Americas, reach towards the stars and unknown planets, galaxies, and ways of being. Writing from queer and feminist perspectives and circumnavigating continents, they recalibrate definitions of Afrofuturism. The editors and contributors of this exciting volume thus reflect upon the re-emergence of Black visions of political and cultural futures, proposing practices, identities, and collectivities. With contributions from AfroFuturist Affair, John Akomfrah, Jamika Ajalon, Stefanie Alisch, Jim Chuchu, Grisha Coleman, Thomas F. DeFrantz, Abigail DeVille, M. Asli Dukan with Wildseeds, Kodwo Eshun, Anna Everett, Raimi Gbadamosi, Alexis Pauline Gumbs, Milumbe Haimbe, Ayesha Hameed, Kiluanji Kia Henda, Kara Keeling, Carla J. Maier, Tobias Nagl, Tavia Nyongo, Rasheedah Phillips, Daniel Kojo Schrade, Nadine Siegert, Robyn Smith, Greg Tate and Frohawk Two Feathers. »Für die Forschung zum Afrofuturismus stellt der Band ein repräsentatives und in der Zukunft sicher unerlässliches Referenzwerk dar.« Mark Schmitt, MEDIENwissenschaft, 4 (2020) Besprochen in: Zeitschrift für Medienwissenschaft, 22/1 (2020), Vera Mader www.centrum3.at, 6 (2020)
Science --- Science education --- Scientific education --- Study and teaching. --- Africa. --- African Art. --- African Science Fiction. --- Art. --- Cultural Studies. --- Diaspora. --- Gender Studies. --- Gender. --- Postcolonialism. --- Time. --- African American art --- African American art. --- African Americans --- African diaspora. --- Afrofuturism. --- American literature --- Art, African --- Art, African. --- Civilization. --- Postcolonialism --- Science fiction, African --- Science fiction, African. --- Science fiction, American --- Science fiction, American. --- History and criticism. --- Social conditions. --- African American authors --- African American authors. --- Africa --- Afrofuturism; African Science Fiction; Time; Art; Diaspora; Postcolonialism; Gender; Gender Studies; African Art; Africa; Cultural Studies --- Eastern Hemisphere
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