Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book investigates a shared experience of time and space in the post-civil-war city of Beirut: “the suspended now”. Based on the close analysis of a large corpus of cultural objects; including visual art, literature, architecture and cinema; the book argues that last decades have witnessed a gradual shift in understanding this temporality from being a transitional phase to a more durable experience of precariousness. The theoretically rich analyses take us on a journey through Beirut’s real and imagined geographies, from garbage dumps to real estate advertisements, and from subterranean spaces to martyr’s posters. For scholars of cultural analysis, urban studies, cultural geography and critical theory, the case of post-1990 Beirut offers a fascinating case of neoliberal urban renewal, which challenges existing theories. For scholars of Lebanon and Beirut, this study complements existing work on post-civil-war Lebanese cultural production rooted in trauma studies by its focus on the city’s continual exposure to violence.

Beirut (Lebanon) --- History. --- Ethnology-Middle East . --- Fine arts. --- Peace. --- Middle Eastern Culture. --- Fine Arts. --- Conflict Studies. --- Coexistence, Peaceful --- Peaceful coexistence --- International relations --- Disarmament --- Peace-building --- Security, International --- War --- Ethnology—Middle East .

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

From user-generated images of streets to professional architectural renderings, and from digital maps and drone footages to representations of invisible digital ecologies, this collection of essays analyses the emergent practices of visualizing the street. Today, advancements in digital technologies of the image have given rise to the production and dissemination of imagery of streets and urban realities in multiple forms. The ubiquitous presence of digital visualizations has in turn created new forms of urban practice and modes of spatial encounter. Everyone who carries a smartphone not only plays an increasingly significant role in the production, editing and circulation of images of the street, but also relies on those images to experience urban worlds and to navigate in them. Such entangled forms of image-making and image-sharing have constructed new imaginaries of the street and have had a significant impact on the ways in which contemporary and future streets are understood, imagined, documented, navigated, mediated and visualized. Visualizing the Street investigates the social and cultural significance of these new developments at the intersection of visual culture and urban space. The interdisciplinary essays provide new concepts, theories and research methods that combine close analyses of street images and imaginaries with the study of the practices of their production and circulation. The book covers a wide range of visible and invisible geographies -- From Hong Kong's streets to Rio's favelas, from Sydney's suburbs to London's street markets, and from Damascus' war-torn streets to Istanbul's sidewalks -- and engages with multiple ways in which visualizations of the street function to document street protests and urban change, to build imaginaries of urban communities and alternate worlds, and to help navigate streetscapes.

Cities and towns --- Effect of technological innovations on. --- Technological innovations --- Street life. --- Sidewalk life --- Urban street life --- City and town life --- Society & culture: general --- Ethnic studies

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Forces of Art investigates the way in which artists, artworks, and cultural organisations affect people and their social environments, exploring how cases of creative practice have been operational in empowering people, communities, and societies in their given contexts. It is a dense, multi-layered, polyvocal compendium of current thinking about the impact of art on civil society and social change, and includes many essays and case studies from around the world. The driving force is a shared concern and responsibility for societies with regard to culture and community well-being. It challenges the reader to think of art as transformative, not merely aesthetical or a commodity.

Art, Modern --- Art and society --- Art --- kunst --- kunstonderwijs --- gender studies --- 7.01 --- kunst en politiek --- kunsttheorie --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Art and sociology --- Society and art --- Sociology and art --- Contemporary art --- Modernism (Art) --- Philosophy --- Analysis, interpretation, appreciation --- Social aspects --- 700.6 --- kunstkritiek --- Cultuurfilosofie --- artistiek onderzoek (onderzoek in de kunsten) --- openbare ruimtes --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- force [mechanics concept] --- community art --- political art --- interactive art --- philosophy of art --- globalization --- climate change --- gender [sociological concept]