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Vol. 1 (24 x 30 cm.) contains essays, 1000+ images, and an interview with Panter. Vol. 2 (30 x 24 cm.) contains a selection of Panter's sketchbooks.
Drawing, American --- 741.07 --- 741.5.07 --- 76.07 --- Tekenkunst ; schetsen ; 1970-2006 ; Gary Panter --- Underground comix --- Illustraties --- Cartoons ; comics --- Punk --- Schetsboeken ; van vormgevers, illustratoren en beeldende kunstenaars --- Affiches ; posters --- Graphic Novels --- Maquettes --- Panter, gary °1950 (°Durant, Oklahoma, Verenigde Staten) --- American drawing --- Tekenkunst ; architecten, stedenbouwkundigen --- Tekenkunst ; striptekenaars ; cartoonisten A - Z --- Grafische kunst ; grafische kunstenaars A-Z --- Panter, Gary --- Notebooks, sketchbooks, etc. --- Criticism and interpretation. --- United States --- Drawing --- Designers --- United States of America --- beeldverhalen
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". . . Focuses on the lesser-known comic works by celebrated icons of the industry, like H.G. Peter (the artist behind Wonder Woman), John Stanley (the writer and artist for Little Lulu), Harry Lucey (one of the artists behind Archie), Jesse Marsh (the artist for Tarzan), and Bill Everett (best know for his characters Sub Mariner and Dr. Strange)."
Avonturen. --- Cartoonists --- Cartoonists. --- Comic books, strips, etc --- Comic books, strips, etc. --- Tecknade serier. --- History --- 1900-1999. --- United States. --- Verenigde Staten. --- United States --- Anthologies. --- Drawing --- Literature --- Graphic artists --- United States of America --- beeldverhalen
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Drawing --- History --- geschiedenis --- beeldverhalen --- Graphic artists --- United States of America
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An epistolary history of postwar American art through the weird and wonderful mind of Peter Saul. Painter Peter Saul (born 1934), considered one of the founding fathers of pop art but certainly not reducible to that movement, is best known for his cartoonish paintings in Day-Glo hues satirizing American culture. Saul was born and raised in Northern California, attended Washington University, lived in Europe from 1956 to 1964, and then settled in Marin County from 1964 to 1976, where he found a community and began to make his reputation. The story of Saul's development in these crucial years is narrated by the artist himself in Peter Saul : Professional Artist Correspondence, 1945-1976. The letters in this volume, first to Saul's parents and then to his dealer, Allan Frumkin, are intimate and wide-ranging, full of the same kind of observations that make Saul's work so compelling. Throughout this period Saul was concerned not only with making his work but also making his life as an artist. The book is therefore very much the story of an artist finding his voice and then attempting to understand and participate in "the art world", as Saul worked first through pop, then "funk", and then essentially created his own category. Taken together, the letters in this book form not just an autobiography of the artist, but a memoir of American art history at a critical moment.
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One of America's finest abstract painters, Chris Martin (born 1954) explores the fertile areas between sophisticated formalism and the visionary joy of outsider art, making abstract painting look enviably effortless. For this massive volume, Martin and Dan Nadel have assembled a massive compendium of Martin's drawings from the past 30 years, presenting them chronologically so the reader-viewer can follow the artist's continual pursuit and discovery of new forms - from sound waves to mushrooms to Tantric arches to the iconic visages of James Brown and Sigmar Polke. For Martin, drawing is an end in itself that also often leads to themes he later reprises and explores in his painting. Taking its design inspiration from the artist's books of Dieter Roth, Drawings acts as a flipbook of discovery, one that charts Martin's artistic development over the past three decades.
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Commercial art --- Graphic arts --- Graphic design (Typography)
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