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De paginering is tot de helft gewoon oplopend. In de inhoudstabel wordt aan deze nummers een s toegevoegd. Halverwege is ze aflopend, beginnend met de hoogste waarde en eindigend met de laagste waarde. In de inhoudstabel aangeduid met z. Men leest van s tot z.

Art --- drawings [visual works] --- sculpture [visual works] --- symmetry --- trompe-l'oeil --- space [composition concept] --- performance art --- time --- easel paintings [paintings by form] --- typography --- Auerbach, Tauba --- paintings [visual works]

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fotografie --- twintigste eeuw --- eenentwintigste eeuw --- bewaking --- voyeurisme --- straatfotografie --- zelfportret --- portretfotografie --- negentiende eeuw --- erotiek --- naakt --- naaktfotografie --- paparazzi --- geweld --- reportagefotografie --- 77.041 --- Exhibitions --- Photography, Artistic --- Voyeurism in art --- Calle, Sophie, --- Cartier-Bresson, Henri, --- DiCorcia, Philip-Lorca, --- Evans, Walker, --- Hine, Lewis Wickes, --- Meiselas, Susan, --- Newton, Helmut, --- Olley, Jonathan, --- Ruwedel, Mark, --- Spinatsch, Jules, --- Photography, Artistic - Exhibitions --- Calle, Sophie, - 1953 --- -Cartier-Bresson, Henri, - 1908-2004 --- DiCorcia, Philip-Lorca, - 1953 --- -Evans, Walker, - 1903-1975. --- Hine, Lewis Wickes, - 1874-1940. --- Meiselas, Susan, - 1948 --- -Newton, Helmut, - 1920-2004. --- Olley, Jonathan, - 1967 --- -Ruwedel, Mark, - 1954 --- -Spinatsch, Jules, - 1964 --- -fotografie --- -Photography, Artistic --- -Spinatsch, Jules, - 1964-

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Suzanne Lacy is a pioneer of socially engaged art and public practice, promoting dialogue and collaborations with communities — artists, activists, organizations, schools — throughout her prolific career. Since the 1970s, she has used community organizing strategies and media interventions to galvanize discussions about pressing social issues including feminism, violence against women, racism, and labor rights. These projects often culminate in large-scale, highly choreographed performances that bring together diverse groups of participants to share their stories.

Co-organized by SFMOMA and Yerba Buena Center for the Arts (YBCA), Suzanne Lacy: We Are Here is the first full retrospective of the Los Angeles–based artist. At SFMOMA, visitors can explore Lacy’s entire career, from her earliest feminist work to her latest immersive video installations. Several projects on view honor the voices and contributions of women to public life. The YBCA presentation offers a new, experimental approach to authorship and participation, revisiting key collaborative projects through the lens of today. This includes an in-depth focus on The Oakland Projects (1991–2001), a series on youth empowerment, media education, and policy. Visitors can also engage with works by contemporary Bay Area artists, and youth arts and activist organizations. Both venues will host live activations in the galleries and a vibrant range of public programs.

Lacy, Suzanne

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Hadid, Zaha ; Hesse, Eva ; Hill and Adamson ; Johnson, Sergent ; Kiefer, Anselm ; LeWitt, Sol ; Logan, Kent ; McQueen, Steve ; Mondriaan, Piet ; Newman, Barnett ; Orozoco, Gabriel ; Rauschenberg, Bob ; Rauschenberg, Robert ; Ross, David ; Stauter, Susan ; Wild, Lorraine