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book (12)


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Exposiçâo Portinari : catálogo.
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Year: 1953 Publisher: S.l. CSC

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45 anos de arte belga : a pintura belga contemporanea de 1920 a nossos dias : Novembro - Decembro 1965
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Year: 1965 Publisher: Rio de Janeiro : Museu de Arte Moderna,

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Manfredo De Souzaneto.
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Year: 1982 Publisher: Rio de Janeiro : Museu de Arte Moderna do Rio de Janeiro,

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Antonio Dias
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Year: 1974 Publisher: Rio de Janeiro : Museu de Arte Moderna do Rio de Janeiro,

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Dias, Antonio


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Sergio Fingermann : Fragmentos de um dia extenso.
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Year: 1992 Publisher: Rio de Janeiro : Museu de Arte Moderna do Rio de Janeiro,

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Scliar : A persistência da Paisagem : uma aventura moderna no Brasil.
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Year: 1991 Publisher: Rio de Janeiro : Museu de Arte Moderna,

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Scliar, Carlos


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Lasar Segall : e o Rio de Janeiro.
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Year: 1991 Publisher: Rio de Janeiro : Museu de Arte Moderna,

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Segall, Lasar


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Antonio Dias : O país inventado.
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ISBN: 8590177513 Year: 2001 Publisher: São Paulo : MAM (Museu de Arte Moderna de São Paulo) São Paulo,

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Dias, Antonio


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Frans Krajcberg : Imagens do fogo.
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Year: 1992 Publisher: Rio de Janeiro : Museu de Arte Moderna do Rio de Janeiro,

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Krajcberg, Frans


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Hélio Oiticica : dance in my experience
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ISBN: 9788531000850 8531000858 Year: 2020 Publisher: São Paulo: Museu de Arte de Sao Paulo,

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Hélio Oiticica, né à Rio de Janeiro le 26 juillet 1937 et mort dans cette ville le 22 mars 1980, est un artiste plasticien et théoricien brésilien, à la fois sculpteur, peintre, performeur, cinéaste et écrivain. One of the most radical and joyful artists of the 20th century, Hélio Oiticica (1937-1980) helped lead the charge in Brazilian art's unique transition from abstract concrete art to performative objects and collective performance. As MoMA's 2019 exhibition 'Sur Moderno' demonstrated, one of Oiticica's most revolutionary projects was the Parangolé, wearable sculptures made from fabric, plastic or paper. The Parangolé is meant to be worn, inhabited and danced by a participant, lending a physical spontaneity to the piece that entirely blurs the boundaries between the art object and those who experience it. 'Dance in My Experience' traces the genealogy of this theme within the artist's oeuvre, identifying rhythmic, choreographic and dance elements throughout his trajectory, from his first Metaesquemas through the Spatial Reliefs, Nuclei and Bólides, culminating in the Parangolés. It includes texts by Oiticica and contributions by numerous scholars. Exhibition: MASP Museu de Arte São Paulo, Brazil (20.03.-27.09.2020) / MAM Rio, Rio de Janeiro, Brazil (Winter 2020-21)

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