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Narrative painting, Chinese. --- Narrative art --- Art, Asian --- Art and morals --- Ideology in art --- Art --- Peinture narrative chinoise --- Art narratif --- Art asiatique --- Idéologie dans l'art --- Political aspects --- Aspect politique --- S17/0600 --- S17/0410 --- S12/0213 --- China: Art and archaeology--Calligraphy and painting: general (incl. technic. and esthetic aspects) --- China: Art and archaeology--Symbolism in Chinese art, iconography --- China: Philosophy and Classics--Ethics --- Idéologie dans l'art --- Narrative painting, Chinese --- Chinese narrative painting --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Ethics and art --- Morals and art --- Ethics --- Art, Primitive
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The Aura of Confucius is a ground-breaking study that reconstructs the remarkable history of Kongzhai, a shrine founded on the belief that Confucius' descendants buried the sage's robe and cap a millennium after his death and far from his home in Qufu, Shandong. Improbably located on the outskirts of modern Shanghai, Kongzhai featured architecture, visual images, and physical artifacts that created a 'Little Queli,' a surrogate for the temple, cemetery, and Kong descendants' mansion in Qufu. Centered on the Tomb of the Robe and Cap, with a Sage Hall noteworthy for displaying sculptural icons and not just inscribed tablets, Kongzhai attracted scholarly pilgrims who came to experience Confucius's beneficent aura. Although Kongzhai gained recognition from the Kangxi emperor, its fortunes declined with modernization, and it was finally destroyed during the Cultural Revolution. Unlike other sites, Kongzhai has not been rebuilt and its history is officially forgotten, despite the Confucian revival in contemporary China.
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boeddhisme --- China
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Mirror of Morality takes an interdisciplinary look at an important form of pictorial art produced during two millennia of Chinese imperial rule. Ideas about individual morality and state ideology were based on the ancient teachings of Confucius with modifications by later interpreters and government institutions. Throughout the imperial period, members of the elite made, sponsored, and inscribed or used illustrations of themes taken from history, literature, and recent events to promote desired conduct among various social groups. This dimension of Chinese art history has never before been broadly covered or investigated in historical context.The first half of the study examines the nature of narrative illustration in China and traces the evolution of its functions, conventions, and rhetorical strategies from the second century BCE through the eleventh century. Under the stimulus of Buddhism, sophisticated techniques developed for representing stories in visual form. While tracing changes in the social functions and cultural positions of narrative illustration, the second half of the book argues that narrative illustration continued to play a vital role in elite visual culture.
Art --- Art and morals --- Narrative painting, Chinese. --- Political aspects
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Comparative religion --- Confucius --- China
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Scrolls, Chinese --- Themes, motives --- Ma, Hezhi, --- Criticism and interpretation. --- Shi jing
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boeddhisme --- Chinese kunst --- 850 - 1850 --- China --- Buddhist art --- Art, Chinese --- S17/0510 --- S17/0500 --- S17/2125 --- S17/0530 --- China: Art and archaeology--Buddhist art: paintings --- China: Art and archaeology--Buddhist art: general --- China: Art and archaeology--Musea and exhibitions: USA --- China: Art and archaeology--Buddhist art: iconography --- Exhibitions --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- Chinese art --- Art, Chinese - Ming-Qing dynasties, 1368-1912 - Exhibitions --- Art, Chinese - Song-Yuan dynasties, 960-1368 - Exhibitions --- Buddhist art - China - Exhibitions --- 850 - 1850. --- China.
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