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"In a fresh examination of the French ceremonial entry, Neil Murphy considers the role these events played in the negotiation between urban elites and the Valois monarchy for rights and liberties. Moving away from the customary focus on the pageantry, this book focuses on how urban governments used these ceremonies to offer the ruler (or his representatives) petitions regarding their rights, liberties and customs. Drawing on extensive research, he shows that ceremonial entries lay at the heart of how the state functioned in later medieval and Renaissance France"--Provided by publisher

Entrées (cérémonies) --- Ceremonial entries --- Elite (Social sciences) --- Power (Social sciences) --- Municipal government --- Civil rights --- History --- History. --- Valois (maison de) --- France --- Politique et gouvernement --- Moeurs et coutumes --- Politics and government --- Kings and rulers --- Social life and customs --- Entrees (Ceremonies) --- Entries (Ceremonies) --- Royal entries --- State entries --- Basic rights --- Civil liberties --- Constitutional rights --- Fundamental rights --- Rights, Civil --- Constitutional law --- Human rights --- Political persecution --- Empowerment (Social sciences) --- Political power --- Exchange theory (Sociology) --- Political science --- Social sciences --- Sociology --- Consensus (Social sciences) --- Elites (Social sciences) --- Leadership --- Social classes --- Social groups --- Rites and ceremonies --- Visits of state --- Law and legislation --- Pʻŭrangsŭ --- 프랑스 --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Франция --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- 法国 --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- Falanxi --- Fa-lan-hsi --- 法蘭西 --- Falanxi Gongheguo --- 法蘭西共和國 --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- Frankrijk --- Frant︠s︡ --- Франц --- Frant︠s︡ Uls --- Франц Улс --- France (Provisional government, 1944-1946) --- Entrées (cérémonies) --- Manners and customs. --- Political science.

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This book provides a systematic analysis of the innovations that occurred in the display of royal power during John II’s four years in English captivity. Neil Murphy shows how the French king’s competition with Edward III led to a revolution in the presentation of the royal image, manifesting through developments to the sacral character of the French monarchy, lavish displays of gift giving, and the use of courtly display. Showing that the Hundred Years War was not just fought on the battlefields of France, this book unravels how the war played out daily in the competition for status between Edward III and John II. Neil Murphy is Senior Lecturer in History at Northumbria University, UK.

Old English literature --- Literature --- History --- History of Europe --- geschiedenis --- literatuur --- Europese geschiedenis --- middeleeuwen --- anno 500-1499 --- anno 500-799 --- anno 800-1199 --- anno 1200-1499 --- England --- Europe

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John Banville offers a close analysis of most of Banville's major novels, as well as the 'Quirke' crime novels he has written under the pseudonym, Benjamin Black and his dramatic adaptations of Heinrich von Kleist's plays. From the beginning, Banville's work has been marked both by the presence of a complex, embedded discourse about the significance of art and by a concurrent self-conscious obsession with its own status as art. His novels perpetually reveal an overt fascination with the visual arts, in particular, and with the aesthetic principle of literature as art. This study argues that, as a whole, Banville's work presents an elaborate and richly-textured coded account of his relationship with art and with the self-referential fictional world that his novels have conjured. It is from this critical context that John Banville's central argument is derived. This book asserts that Banville's fiction can be viewed both as an extended interrogation into the meaning and status of art as well as itself being a representative of the type of art that is admired in the pages of the novels. As such, it also represents an extremely sophisticated enactment of the novel form that goes beyond the "self-reflexivity" of late twentieth-century fiction to chart new developments in the literary arts. The book's critical process involves several specific reference points. Firstly, Banville's own theoretical statements about art in interviews, essays, reviews and journalistic writing over the past 40 years are synthesized into a coherent interpretation of the author's artistic vision which is thereafter used as a conceptual touchstone when considering his major works of fiction. This is done in conjunction with investigating specific theoretical perspectives about the relationship between literature and art by critics such as Denis Donoghue and Susan Sontag, and by philosophers of art, Graham Gordon, Etienne Gilson, Peter Lamarque, and Susanne Langer.

Banville, John --- Criticism and interpretation.

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Scotland --- Great Britain