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Little Boy examines the culture of postwar Japan through its arts and popular visual media. Focusing on the youth-driven phenomenon of otaku (roughly translated as 'geek culture' or 'pop cult fanaticism'), Takashi Murakami and a notable group of contributors explore the complex historical influences that shape Japanese contemporary art and its distinct graphic languages. The book's title, Little Boy, is a reference to the atomic bomb dropped on Hiroshima in 1945, thus clearly locating the birth of these new cultural forms in the trauma and generational aftershock of the atomic bomb. This generously illustrated book showcases the work of key otaku artists and designers, many of whom are cult celebrities in Japan, and discusses their feature film and video animations, video games and internet sites, music, toys, fashion and more. In the process, the following questions are posed: What is otaku? How is it related to the pervasive and curious fixation on 'cuteness' evident in Japanese popular culture? What impact did the atomic devastation of World War II have on the development of Japanese art and culture? This brilliantly designed, bilingual (English and Japanese) publication examines these themes to explore how contemporary Japanese art has become inseparable from the subcultural realms of manga and anime (Japanese animation), a world where meticulous technique, apocalyptic imagery and high and low cultures meet. Exhibition schedule: Japan Society, New York City, April-July 2005 other venues to be announced.
Japan. --- Subcultuur. --- Tekenkunst.
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Pino est le nom générique du robot humanoïde produit en masse, équipé de l'I.A. « pino », la première intelligence artificielle au monde à atteindre la singularité technologique. Pino est donc le pionnier des robots réellement pensants, autonomes et dotés d'une intelligence qui dépasse très largement le niveau des êtres humains. Hana travaille dans une entreprise pharmaceutique. Elle collabore à distance avec un Pino qui œuvre dans un laboratoire situé à des centaines de kilomètres. Le petit robot est en charge du bon traitement des animaux utilisés pour tester les nouveaux médicaments de la firme. Seulement, le jour où il apprend que son laboratoire doit être fermé, un changement drastique va s'opérer chez Pino...
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Iconography --- Art --- Painting --- Film --- art [discipline] --- painting [image-making] --- photography [process] --- color [perceived attribute] --- video art --- performance art --- vrouwelijke kunstenaar --- Broodthaers, Marcel --- Oiticica, Hélio --- Murakami, Takashi --- Nader --- Akakçe, Haluk --- Appel, Kevin --- Kippenberger, Martin --- Birnbaum, Daniel --- Herrera, Arturo --- Krisanamis, Udomsak --- Lambie, Jim --- Manzelli, Margherita --- McKenzie, Lucy --- Dumas, Marlene --- Stingel, Rudolf --- Wright, Richard --- Thek, Paul --- McCarthy, Paul --- Kelley, Mike --- Schütte, Thomas --- Currin, John --- Gursky, Andreas --- Ofili, Chris --- Owens, Laura --- Raedecker, Michael --- Alÿs, Francis --- Ackermann, Franz --- Scheibitz, Thomas --- Havekost, Eberhard --- Sugito, Hiroshi --- Mehretu, Julie --- anno 1900-1999 --- anno 2000-2099 --- Japan
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Ackermann, Franz ; Barney, Matthew ; Cardiff, Janet ; Chen Zhen ; Currin, John ; Darboven, Hanne ; Demand, Thomas ; Dion, Mark ; Doherty, Willie ; Eliasson, Olafur ; Geers, Kendell ; Gonzalez-Torres, Felix ; Hamilton, Ann ; Hernández-Diez, José Antonio ; Huyghe, Pierre ; Katz, Alex ; Kentridge, William ; Kingelez, Bodys Isek ; Kinoshita, Suchan ; Kippenberger, Martin ; Marshall, Kerry James ; Murakami, Takashi ; Neshat, Shirin ; Neto, Ernesto ; Ofili, Chris ; Orozco, Gabriel ; Othová, Markéta ; Owens, Laura ; Ruscha, Edward ; Schneider, Gregor ; Sidén, Ann-Sofi ; Signer, Roman ; Sze, Sarah ; Taylor-Wood, Sam ; Tevet, Nahum ; Thater, Diana ; Tuymans, Luc ; Walker, Kara ; Wall, Jeff ; Wilson, Jane & Louise
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