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"Although Aaron Copland (1900-1990) is often credited with creating an unmistakably American musical style, he was strongly attracted to the music of Gustav Mahler. Drawing extensively on archival and musical materials, this is the first detailed exploration of Copland's multifaceted relationship with Mahler's music and its lasting consequences for music in America. Matthew Mugmon demonstrates that Copland, inspired by Mahler's example, blended modernism and romanticism in shaping a vision for American music in the twentieth century, and that he did so through his multiple roles as composer, teacher, critic, and orchestral tastemaker. Copland's career-long engagement with Mahler's music intersected with Copland's own Jewish identity and with his links to such towering figures in American music as Nadia Boulanger, Serge Koussevitzky, and Leonard Bernstein"--

Music --- History and criticism. --- Copland, Aaron, --- Mahler, Gustav, --- Criticism and interpretation. --- Influence.

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This volume presents studies of three manuscripts of Ambrosian chant housed in the Houghton Library at Harvard University.

091:78 --- 091 <45 MILANO> --- 091 <73 CAMBRIDGE MASS.> --- Handschriften i.v.m. muziek --- Handschriftenkunde. Handschriftencatalogi--Italië--MILANO --- Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--CAMBRIDGE MASS. --- 091 <73 CAMBRIDGE MASS.> Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--CAMBRIDGE MASS. --- 091 <45 MILANO> Handschriftenkunde. Handschriftencatalogi--Italië--MILANO --- 091:78 Handschriften i.v.m. muziek --- Ambrosian chants --- Manuscripts --- Codices --- Books --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- Chants (Ambrosian) --- Milanese chants --- Chants --- History and criticism --- Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--CAMBRIDGE MASS