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Un panorama des oeuvres les plus importantes de l'artiste : photographies, dessins, installations murales et vidéos. ©Electre 2016
Women artists --- Relational art --- Multiple art --- Femmes artistes --- Art relationnel --- Art multiple --- Attitudes --- Lublin, Lea,
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Etel Adnan’s creative output spanned genres and languages. An award-winning poet and novelist, her paintings and artist books began appearing in museum shows when she was already in her eighties. This exhibition catalog corresponds with the first comprehensive retrospective of Adnan’s work to be held in Germany, a collaboration between the Kunstsammlung Nordrhein-Westfalen in Düsseldorf and the Lenbachhaus in Munich. The volume presents work from across Adnan’s long and multifaceted career, reflecting a lifetime of exchange between the Arab and the Western worlds.Adnan (1925–2021) spent her life between Lebanon, where she was born and later worked as the cultural editor for two daily newspapers; France, where she attended the Sorbonne before returning in 1975; and the United States, where she attended graduate school, began painting at the age of thirty-four, and ultimately moved in the late 1970s, settling in California. Etel Adnan explores her impressive body of work: her texts; her bright, abstract paintings; her tapestries, modernist interpretations of Persian rugs; and her leporellos, booklets created with a concertina fold that draw on Adnan’s relationship to calligraphy and literature. Touching on the relationship between the artist’s work and her biography, this book is a tribute to a cosmopolitan figure for whom painting represented the love of the world.
Schilderkunst ; 20ste eeuw --- Leporelloboek --- Beeldende kunst en poëzie ; 20ste eeuw --- Adnan, Etel 1925-2021 (°Beiroet, Libanon) --- 75.07 --- Schilderkunst ; schilders A-Z --- Etats Unis --- Liban --- Féminisme --- Art abstrait --- 21e siècle
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This book traces the lives of Expressionist artists Alexej von Jawlensky and Marianne von Werefkin and how their relationship influenced and inspired each other's career. Alexej von Jawlensky and Marianne von Werefkin occupy a prominent place in art history as a pioneering artist couple of the avant-garde movement. Early in her career in Russia, Werefkin attracted a great deal of attention for her Realist-inspired portraiture. Jawlensky met Werefkin in 1891 in Ilya Repin's Saint Petersburg studio and in 1896 they moved together to Munich where Werefkin gave up painting for almost ten years in order to nurture Jawlensky's talent. In 1906, the two artists travelled to France where Werefkin began to paint again, this time in her signature Expressionist style. Jawlensky, equally inspired by the trip and his contact with the fauvists, began to paint in a more Abstract style and with more expressive color. In 1909, they became founding members of the Neue Künstlervereinigung München, and then, in 1911, of the Blue Rider group alongside artists such as Wassily Kandinsky, Franz Marc, and Gabriele Münter. During World War I, Jawlensky and Werefkin moved to Switzerland where their relationship ended. This is the first book to focus on the two artists' partnership through all the various ups and downs of the many years of their relationship. Through explorations of both Jawlensky and Werefkin's oeuvres, this book shows how the two made vital contributions to modernism in the 20th century, both individually and as a couple.
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Expressionism (Art) --- Münter, Gabriele, --- Expressionnisme (Art) --- Painting, German --- Women painters --- Photography, Artistic --- Peinture allemande --- Femmes peintres --- Photographie artistique
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