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Examining the modernist poetics of Ezra Pound and T.S. Eliot, this study traces their influence on the current crisis in post-structuralist literary theory. The author reveals a continuity between that theory and high modernism's tendency towards fascism.
Fascism and literature --- Literature, Modern --- Modernism (Literature) --- Poetics --- Political poetry, American --- History. --- History and criticism --- Theory, etc. --- History --- History and criticism. --- -Modernism (Literature) --- -Political poetry, American --- -Literature, Modern --- -Poetics --- -Poetry --- Modern literature --- Arts, Modern --- American political poetry --- American poetry --- Literature and fascism --- Literature --- -Technique --- De Man, Paul --- Eliot, T. S. --- -Eliot, T. S. --- -Pound, Ezra --- -Man, Paul de --- Political and social views. --- Influence --- Political and social views --- Modernisme (Littérature) --- Poétique --- Poésie politique américaine --- Theory, etc --- Histoire et critique --- Pound, Ezra, --- Man, Paul de --- Pensée politique et sociale --- History and criticism&delete& --- Pound, Ezra Loomis, --- Atheling, William, --- Bawnd, Izrā, --- Paount, Ezra, --- Pʻaundŭ, Ejŭra, --- Pavnd, Ezra, --- E. P. --- P., E. --- T. J. V., --- V., T. J., --- Pangde, --- Poet of Titchfield Street, --- Ai-lüeh-tʻe, --- Eliot, Thomas Stearns, --- Īliyūt, T. S., --- Elliŏtʻŭ, --- Eliot, Thōmas S., --- Eliot, Th. S., --- Eliot, Thomas Stern, --- Elyoṭ, T. S., --- Ėliot, Tomas Stirns, --- אליוט ט.ס --- אליוט, ת. ס. --- Influence. --- Eliot, Thomas Stearns --- DeMan, Paul --- De Man, Paul Adolph Michel --- Pound, Ezra --- Pound, Ezra Loomis --- Atheling, William --- Bawnd, Izrā --- Paount, Ezra --- Pʻaundŭ, Ejŭra --- Pavnd, Ezra --- T. J. V. --- V., T. J. --- Pangde --- Poet of Titchfield Street --- Poetics.
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"Classical Hollywood Cinema, Sexuality, and the Politics of the Face examines the representation of iconic female faces in classical Hollywood cinema- Greta Garbo, Gloria Swanson, Elizabeth Taylor - and the gay male fetishization of those faces. Hollywood's golden age is given to an aesthetic and ideological struggle between rival scopic economies: an erotics of "to-be-looked-at-ness," countered by a hermeneutics of "to-be-seen-through-ness." The latter emerges triumphant, but the legendary female faces of Hollywood resist, in their different ways, a coercive and normalizing knowledge, which is the source of the gay male investment in them. In addition to the analysis of Suddenly Last Summer, Sunset Boulevard and Ninotchka, the book also presents the broader context of early and mid-century cinema and culture. This includes analyses of D.W. Griffith and blackface, the Stonewall riots and the coming-into-voice of the modern gay subject, major films by Hitchcock, Citizen Kane, and the emergence of rival standards of beauty, both female and male, in figures such as Katharine Hepburn, Ingrid Bergman, Humphrey Bogart, Rock Hudson, and James Dean. This is an important study for students of queer theory, film theory and history, and gender and sexuality studies"--
Beauty, Personal, in motion pictures. --- Gays in motion pictures. --- Motion pictures --- Women in motion pictures. --- History
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Heterosexuality. --- Homosexuality in art. --- Homosexuality in literature. --- Homosexuality. --- Psychoanalyse --- cultuur en religie.
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