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Despite the efforts of modern scholars to explain the origins of science communication as a social, rhetorical, and aesthetic phenomenon, most researchers approach the popularization of science from the perspective of present issues, thus ignoring its historical roots in classical culture along with its continuities, disruptions, and transformations. This volume fills this research gap with a genealogically reflected introduction into the popularization of science as a recurrent cultural technique. The category »popular science« is elucidated in interdisciplinary and diachronic dialogue, discussing case studies from all historical periods. Classicists, archaeologists, medievalists, art historians, sociologists, and historians of science provide the first diachronic and multi-layered approach to the rhetoric techniques, aesthetics, and societal conditions that have shaped the dissemination and reception of scientific knowledge.
Science Communication; Antiquity and Middle Ages; Renaissance and Enlightenment; Modern Visual Culture; Aesthetics and Science Popularization; Science; Art; Cultural History; History of Science; Sociology of Science; Art History; History --- Art History. --- Art. --- Cultural History. --- History of Science. --- History. --- Sociology of Science.
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Im Internet ist mit dem Web 2.0 eine neue Kultur des Austauschs und der Partizipation entstanden. Damit wird auch die Öffentliche Wissenschaft vielfältiger und attraktiver. Sie steht jedoch auch vor offenen Fragen: Befördern die Neuen Medien den Dialog von Wissenschaft und Öffentlichkeit? Und worin besteht die Rolle der wissenschaftlichen Institutionen in diesem Prozess? Der Sammelband beleuchtet aus inter- und transdisziplinären Perspektiven den aktuellen Wandel in der Wissenschaftsvermittlung.
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