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book (10)


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Book
Jean Genet, la vie écrite : biographie
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ISBN: 2729102906 9782729102906 Year: 1988 Volume: vol *6 Publisher: Paris La Différence


Book
La cantatrice chauve de Eugène Ionesco
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Year: 1980 Publisher: Paris: Pédagogie moderne,

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La planète des singes de Pierre Boulle
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Year: 1980 Publisher: Paris

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Le maître fou : Genet théoricien du théâtre, 1950-1967
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ISBN: 9782707813060 2707813060 Year: 2009 Publisher: Saint-Genouph Librairie Nizet

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L'Oeuvre impossible : Claudel, Genet, Fellini
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ISBN: 9782304042344 Year: 2013 Publisher: Paris Editions le Manuscrit

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Téléphérique : français de 3e en 2e : Cinq thèmes d'actualité.
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ISBN: 2040158987 Year: 1985 Publisher: Paris : Bordas,

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Corneille: Le Cid. Edgar Poe: Histoires extraordinaires. Alain-Fournier: Le grand Meaulnes. Eugène Ionesco: La cantatrice chauve
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ISBN: 2040166750 9782040166755 Year: 1986 Publisher: Paris: Bordas,

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Revolution in paradise : veiled representations of Jewish characters in the cinema of occupied France
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ISBN: 9781782845867 9781845197193 Year: 2020 Publisher: Brighton Sussex Academic Press

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The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L'Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.


Book
Jeunes auteurs : Alias
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Year: 1986 Publisher: Paris: L'avant-scène Théâtre,

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La dramaturgie claudelienne : [colloque de Cerisy, 31 août - 10 septembre 1987]

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