Listing 1 - 6 of 6 |
Sort by
|
Choose an application
Contested Boundaries aims to map the space between A Mercy, Toni Morrisonas ninth and arguably most enigmatic novel, and the fiction comprising the authoras multiple-text canon. The volume accomplishes this through the inclusion of eight original essays representing a range of critical approaches that trouble narrative boundaries demarcating the novels included in Morrisonas evolving opus, with A Mercy serving as a locus for discussion of her re-figuration of concerns central to her narrative project. Issues relevant to the conflicted mother-child relationship, the haunting legacy of slavery, the black female body as a site of trauma, the thorny quest for an idealized home, the perilous transatlantic journey, the demands associated with love, and, yes, the desire for mercy recur, but they do so with a difference, a MorrisonianA twist that demands close intellectual scrutiny. Essays included in this volume are invested in a persistent scholarly investigation of this narrative and rhetorical play. - - The publication of A Mercy represents a climactic moment in Morrisonas evolving political consciousness, her fictional geography, and, consequently, a shift in the margins marking her multiple-text universe. The complicated markers of difference figuring in RecitatifA and continuing with Paradise and Love culminate in the authoras ninth work of fiction. This volume ventures to chart that change, not for the sake of encoding it, but in an effort to open up new ways of interrogating her writing. - -
Morrison, Toni --- Criticism and interpretation --- Criticism and interpretation. --- Wofford, Chloe Anthony --- Morrisonová, Toni --- מוריסון, טוני
Choose an application
African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Baldwin, James, 1924-1987. Go Tell It on the Mountain --- Black Americans in literature --- Chesnutt, Charles Waddell, 1858-1932. The Marrow of Tradition --- Einde van de wereld in de literatuur --- End of the world in literature --- Fin du monde dans la littérature --- Negroes in literature --- Noirs américains dans la littérature --- Zwarte Amerikanen in de literatuur --- American fiction --- African American authors --- History and criticism --- Apocalyptic literature --- Christianity and literature --- United States --- Fiction --- Religious aspects --- Christianity --- Wright, Richard --- Ellison, Ralph Waldo --- Morrison, Toni --- Naylor, Gloria --- Baraka, Imamu Amiri
Choose an application
American fiction --- Apocalyptic literature --- Christianity and literature --- Fiction --- End of the world in literature. --- African Americans in literature. --- African Americans --- African Americans in literature --- End of the world in literature --- English --- Languages & Literatures --- American Literature --- Afro-Americans in literature --- Negroes in literature --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Literature and Christianity --- Christian literature --- American literature --- African American authors --- History and criticism. --- Religious aspects --- Christianity. --- History and criticism --- Christianity --- Intellectual life --- Philosophy --- Black people --- Religious aspects. --- Intellectual life.
Choose an application
Exploring post-apocalypticism in the Black literary and cultural tradition, Post-Apocalypticism and the Black Female Imagination extends the scholarly conversation on Afro-futurist canon formation through an examination of futuristic imaginaries in representative 20th and 21st-century works of literature and expressive culture by Black women in an Afro-diasporic setting. The book demonstrates the implications of Afro-futurist literary criticism for Black Atlantic literary and critical theory, investigating issues of hybridity, border crossing, temporality, and historical recuperation. Covering a wide range of writers ? including Octavia Butler, Edwidge Danticat, Nalo Hopkinson, Toni Morrison, Jesmyn Ward and Beyonc ̌- Maxine Lavon Montgomery shows how Black women artists attempt to recover a raced, gendered heritage in framing an evolving social order existing as a part of, yet separate and distinct from, the past.
American literature --- Apocalypse in literature --- African American authors --- History and criticism --- Women authors
Choose an application
The Fiction of Gloria Naylor is one of the very first critical studies of this acclaimed writer. Including an insightful interview with Naylor and focusing on her first four novels, the book situates various acts of insurgency throughout her work within a larger framework of African American opposition to hegemonic authority. But what truly distinguishes this volume is its engagement with African American vernacular forms and twentieth-century political movements.In her provocative analysis, Maxine Lavon Montgomery argues that Naylor constantly attempts to reconfigure the home
Choose an application
This volume sheds a much-needed light on Edwidge Danticat (b. 1969) and her ability to depict timely issues in sparkling prose that delves deep into the borderlands, an uncharted in-between space located outside fixed geographic, cultural, and ideological bounds. Prevalent throughout many interviews here is Danticat's expressed determination not only to reveal Haitian immigrant experience, but also to make that nuanced culture and its vibrant traditions accessible to a wide audience. These interviews coincide with Edwidge Danticat's evolving artistic vision, her steady book publication, and her expanding roles as fiction writer, essayist, memoirist, documentarian, young adult book author, editor, songwriter, cultural critic, and political commentator. Dating from her appearance on the literary scene at the age of twenty-five, the many interviews that she has granted attest to not only her productivity, but also her accessibility to scholars, teachers, writers, and journalists eager for knowledge about her vision. Included in this volume are interviews that range from 2000, covering the publication of her debut work of fiction, Breath, Eyes, Memory, to a personal interview conducted with the volume editor in 2016. In that conversation, which appears for the first time as part of this collection, Danticat provides insight into little-known aspects of her life, art, and politics. Her candid interviews carry out a careful stripping away of preconceived notions of Danticat, disclosing the private and public life of a first-class writer and intellectual whose countless achievements have assured her an enduring place within contemporary world letters.
Auteurs d'origine antillaise --- Auteurs noirs américains --- Danticat, Edwidge
Listing 1 - 6 of 6 |
Sort by
|