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Music in convents --- Church music --- Catholic Church --- -Church music --- -Music in convents --- -Convents --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- History and criticism --- Religious aspects --- Christianity --- Santa Cristina della Fondazza (Convent : Bologna, Italy) --- Bologna (Italy). --- S. Cristina della Fondazza (Convent : Bologna, Italy) --- Women composers --- History --- -Santa Cristina della Fondazza (Convent : Bologna, Italy) --- Convents --- 78.21.2 Bologna --- Music in convents - Italy - Bologna. --- Church music - Catholic Church - 16th century. --- Church music - Catholic Church - 17th century. --- Church music - Italy - Bologna - 16th century. --- Church music - Italy - Bologna - 17th century.
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Monasticism and religious orders for women --- Women --- History --- Congresses.
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Christian religious orders --- Music --- Vizzana, Lucrezia Orsina --- anno 1500-1599 --- anno 1600-1699 --- Bologna
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Religious studies --- Music --- Religious communities --- Members of congregations --- Book --- anno 1500-1599 --- anno 1600-1699 --- Italy
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Religious studies --- Christian religion --- Music --- History --- Catholic Church --- Musicians --- Religious communities --- Members of congregations --- Biographical details --- Book --- Vizzana, Lucrezia Orsina --- anno 1500-1599 --- anno 1600-1699 --- Italy
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koormuziek --- madrigalen --- vrouwenkoren --- anno 1600-1699 --- England
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This collection of critical essays examines the diverse ways in which music -- and ideas about it -- have been disseminated in print and other media from the sixteenth century onward. Contributors look afresh at unfamiliar facets of the sixteenth-century book trade and the circulation of manuscript and printed music in the seventeenth to nineteenth centuries. They also analyze and critique new media forms, showing how a dizzying array of changing technologies has influenced what we hear, whom we hear, and how we hear. The repertoires considered include Western art music -- from medieval to contemporary -- as well as popular music and jazz. Assembling contributions from experts in a wide range of fields, such as musicology, music theory, music history, and jazz and popular music studies, 'Music in Print and Beyond: Hildegard von Bingen to The Beatles' sets new standards for the discussion of music's place in Western cultural life. Roberta Montemorra teaches music at the University of Iowa and is the author of 'Verdi the Student-Verdi the Teacher' (Istituto Nazionale di Studi Verdiani, 2010) and editor of 'The Cambridge Verdi Encyclopedia' (Cambridge University Press, 2013). Craig A. Monson is a Professor of Musicology at Washington University (St Louis, Missouri) and is the author of 'Divas in the Convent: Nuns, Music, and Defiance in 17th-century Italy' (University of Chicago Press, 2012).
Dissemination of music --- Music --- Criticism --- Circulation of music --- Music dissemination --- Music and globalization --- History and criticism --- Circulation --- E-books --- Dissemination of music. --- History and criticism. --- Dissemination. --- Electronic Formats. --- Hildegard von Bingen. --- Manuscript. --- Music. --- Print. --- Sixteenth Century. --- The Beatles.
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History of civilization --- History of Italy --- anno 1600-1699 --- anno 1500-1599 --- -Convents --- -Music in convents --- -271-055.2 <45> --- Cloisters (Religious communities) --- Convents and nunneries --- Nunneries --- Sisters (in religious orders, congregations, etc.) --- -Vrouwelijke religieuze orden, congregaties--Italië --- Convents --- Music in convents --- Nuns --- Women --- 271-055.2 <45> --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Christians --- Monasticism and religious orders for women --- Church property --- Religious institutions --- History --- Conduct of life --- Social conditions --- Vrouwelijke religieuze orden, congregaties--Italië
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