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Mass communications --- Sociology of culture --- Television broadcasting --- -#SBIB:309H1016 --- #SBIB:309H1520 --- Telecasting --- Television --- Television industry --- Broadcasting --- Mass media --- Social aspects --- Media: socio-culturele aspecten (massamedia en maatschappij, met inbegrip van cultuurhistorische werken en werken over de maatschappelijke en politieke effecten van de (diverse) media) --- Radio en/of televisieprogramma’s: algemene werken (functies, genres, taalgebruik, historiek) --- Social aspects. --- #SBIB:309H1016
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Amid the turbulence of political assassinations, the civil rights struggle, and antiwar protests, American society was experiencing growing affluence and profound cultural change during the 1960s. The film industry gradually redirected its energies, resulting in a distinctive break from traditional business and stylistic practice and emergence of a new "cinema of sensation." Feature films became faster-paced and more graphic, the antihero took his place alongside the classic Hollywood hero, and "downer" films like 'Midnight Cowboy 'proved as popular as those with upbeat fare. Paul Monaco gives a sweeping view of this exhilarating decade, ranging from the visceral sensation of 'Bonnie and Clyde, 'to the comic-book satire of 'Dr. Strangelove, 'to the youthful alienation of 'The Graduate. '
Film --- anno 1960-1969 --- United States --- Motion picture industry --- Motion pictures --- History --- History. --- Motion picture industry - United States - History --- Motion pictures - United States - History --- United States of America
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Motion pictures --- United States --- History --- Motion picture industry --- History and criticism --- 20th century
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A History of American Movies provides a survey of the narrative feature film from the 1920's to the present. The book focuses on 170 of the most highly regarded and recognized feature films selected by the Hollywood establishment: each Oscar winner for Best Picture, as well as those voted the greatest by members of the American Film Institute.
Motion pictures --- Motion picture industry --- History --- Hollywood (Los Angeles, Calif.)
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Motion pictures --- Motion pictures --- History --- Social aspects
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In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994). The importance of these three films, and Monaco's investigation of them, is how they illuminate a modern director's creative process in relation to the emerging genre of neo-noir.
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