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Wooden furniture in Herculaneum : form, technique and function
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ISBN: 905063317X 9789050633178 Year: 1999 Volume: 2 Publisher: Amsterdam: Gieben,


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Wooden furniture in Herculaneum : form, technique and function
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ISBN: 9789004425842 9004425845 9004424105 Year: 2020 Publisher: Leiden Brill

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This study presents an overview of the wooden furniture that has come to light since the rediscovery of Herculaneum in the 18th century, with an emphasis on the form, function and the techniques employed. The combination of comments in the excavation reports with the information derived from the surviving pieces of furniture and fittings made of other materials as well as indications for the presence of furniture in the architecture and decoration of the houses, offers a representative idea of the role of wooden furniture in the interior arrangements of the houses at Herculaneum.


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Herculaneum : verwoest door de Vesuvius
Authors: --- ---
ISBN: 9068290886 9789068290882 Year: 2006 Publisher: Nijmegen: Museum Het Valkhof,

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La Villa della Farnesina : le pitture
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ISBN: 9788837065386 8837065388 Year: 2008 Publisher: Milano: Electa,

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Context and meaning : proceedings of the Twelfth International conference of the Association internationale pour la peinture murale antique, Athens, September 16-20, 2013
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ISSN: 01659367 ISBN: 9789042935297 9042935294 Year: 2017 Volume: 31 Publisher: Leuven: Peeters,

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This volumes contains 81 contributions on ancient wall painting presented in the form of papers and posters during the twelfth triennial meeting of the Association Internationale pour la Peinture Murale Antique (AIPMA) held at Athens from September 16 through September 20, 2013. 120 participants were guests of Radboud University Nijmegen and the École Française d?Athènes, in collaboration with the Netherlands Institute at Athens, and the National Hellenic Research Foundation. In recent decades there has been a growing interest among researchers in the analysis of paintings in terms of their context rather than as expressions of art in and for itself. Therefore the conference focused on figural themes, and to the iconographical and iconological problems of paintings considered in relation to their specific contexts. Which messages images in wall painting, from the archaic to the late-antique period (ca 700 BC-AD 500) conveyed to contemporary viewers in specific contexts and how were they received? Many contributions in this volume zoom in on the rationale behind the use of specific motifs in wall paintings, the syntax of decorative systems in particular contexts, as well as specific fashions in the use of figural themes in determined areas or sites in the ancient world. Within the series of BABESCH supplements, this book is a sequel to the third one of 1993 which contains the proceedings of the fifth AIPMA conference in Amsterdam.


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Acta of the 12th international congress on ancient bronzes, Nijmegen 1992

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