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Furniture, Ancient --- Interior decoration --- Decoration, Interior --- Home decoration --- House decoration --- Interior design --- Ancient furniture --- Art --- Buildings --- Decoration and ornament --- Home economics --- Furniture --- House furnishings --- Upholstery --- Environmental engineering
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This study presents an overview of the wooden furniture that has come to light since the rediscovery of Herculaneum in the 18th century, with an emphasis on the form, function and the techniques employed. The combination of comments in the excavation reports with the information derived from the surviving pieces of furniture and fittings made of other materials as well as indications for the presence of furniture in the architecture and decoration of the houses, offers a representative idea of the role of wooden furniture in the interior arrangements of the houses at Herculaneum.
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Antique, the --- vulkaanuitbarstingen --- History --- Romeinse oudheid --- Roman [ancient Italian culture or period] --- Herculaneum --- Excavations (Archaeology) --- Herculaneum (Extinct city) --- Civilization
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This volumes contains 81 contributions on ancient wall painting presented in the form of papers and posters during the twelfth triennial meeting of the Association Internationale pour la Peinture Murale Antique (AIPMA) held at Athens from September 16 through September 20, 2013. 120 participants were guests of Radboud University Nijmegen and the École Française d?Athènes, in collaboration with the Netherlands Institute at Athens, and the National Hellenic Research Foundation. In recent decades there has been a growing interest among researchers in the analysis of paintings in terms of their context rather than as expressions of art in and for itself. Therefore the conference focused on figural themes, and to the iconographical and iconological problems of paintings considered in relation to their specific contexts. Which messages images in wall painting, from the archaic to the late-antique period (ca 700 BC-AD 500) conveyed to contemporary viewers in specific contexts and how were they received? Many contributions in this volume zoom in on the rationale behind the use of specific motifs in wall paintings, the syntax of decorative systems in particular contexts, as well as specific fashions in the use of figural themes in determined areas or sites in the ancient world. Within the series of BABESCH supplements, this book is a sequel to the third one of 1993 which contains the proceedings of the fifth AIPMA conference in Amsterdam.
Mural painting and decoration, Ancient --- Symbolism in art --- Art and society --- Themes, motives --- History --- Mural painting and decoration [Greco-Roman ] --- Mural painting and decoration [Roman ] --- Mural painting and decoration, Ancient - Themes, motives - Congresses --- Symbolism in art - Congresses --- Art and society - History - To 1500 - Congresses --- Peinture et décoration murales antiques.
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