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In the wake of addressing multiculturalism, transculturalism, racism, and ethnicity, the issue of xenophobia and xenophilia has been somewhat marginalized. The present collection seeks, from a variety of angles, to investigate the relations between Self and Other in the New Literatures in English. How do we register differences and what does an embrace signify for both Self and Other? The contributors deal with a variety of topics, ranging from theoretical reflections on xenophobia, its exploration in terms of intertextuality and New Zealand/Maori historiography, to analyses of migrant and border narratives, and issues of transitionality, authenticity, and racism in Canada and South Africa. Others negotiate identity and alterity in Nigerian, Malaysian, Australian, Indian, Canadian, and Caribbean texts, or reflect on diaspora and orientalism in Australian–Asian and West Indian contexts.
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In the wake of addressing multiculturalism, transculturalism, racism, and ethnicity, the issue of xenophobia and xenophilia has been somewhat marginalized. The present collection seeks, from a variety of angles, to investigate the relations between Self and Other in the New Literatures in English. How do we register differences and what does an embrace signify for both Self and Other? The contributors deal with a variety of topics, ranging from theoretical reflections on xenophobia, its exploration in terms of intertextuality and New Zealand/Maori historiography, to analyses of migrant and border narratives, and issues of transitionality, authenticity, and racism in Canada and South Africa. Others negotiate identity and alterity in Nigerian, Malaysian, Australian, Indian, Canadian, and Caribbean texts, or reflect on diaspora and orientalism in Australian–Asian and West Indian contexts.
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"Suzette Haden Elgin's Native Tongue trilogy, Suzy McKee Charna's Holdfast series, and Margaret Atwood's The Handmaid's tale are analyzed within the context of this this subgenre of "transgressive utopian dystopias." Analysis focuses particularly on how these works cover the interrelated categories of gender, race and class, along with their relationship to classic literary dualism and the dystopian narrative"--Provided by publisher.
American fiction --- Deviant behavior in literature --- Dissenters in literature --- Dualism in literature --- Dystopias in literature --- Fantasy fiction, American --- Fantasy fiction, Canadian --- Imaginary societies in literature --- Women and literature --- Women and literature --- Women authors --- History and criticism --- History and criticism --- History and criticism --- History --- History --- Atwood, Margaret, --- Charnas, Suzy McKee. --- Elgin, Suzette Haden.
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Radical Planes? 9/11 and Patterns of Continuity , edited by Dunja M. Mohr and Birgit Däwes, explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed ‘everything,’ and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity?
September 11 Terrorist Attacks, 2001, in literature --- September 11 Terrorist Attacks, 2001, in art --- September 11 Terrorist Attacks, 2001 --- Influence --- Amerikaanse letterkunde. (Reeks) --- Engels. (Reeks) --- Amerikaans. (Reeks) --- Littérature anglaise. (Collection) --- Littérature américaine. (Collection) --- Anglais [Langue]. (Collection) --- Américain [Langue]. (Collection) --- Engelse letterkunde. (Reeks) --- Popular culture --- Culture --- Study and teaching.
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