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Taking as a background two notorious travelogues from pharaonic Egypt, this book promises to stir the debate on ancient Egyptian literary fiction. Following an analysis of traditional Egyptological criticism, the author outlines a theoretical framework in which works like Sinuhe or Wenamun can be considered as literary fictions. Travelling abroad and boundary transgression come out convincingly as the decisive criteria of Egyptian fictionality. Context is being given in part two of the work, in which at the same time the boundary transgression theme is shown to be one of specific importance in the culture of ancient Egypt. In his final chapter Gerald Moers acts as the reader's guide through a fresh re-read of ancient Egyptian travel literature. Fingierte Welten thus offers a historically expanded perspective on fictionality, and is of special interest not only to Egyptologists, but to all those interested in comparative literature.
Egyptian fiction --- Egyptian literature --- Roman égyptien ancien --- Littérature égyptienne --- History and criticism --- History and criticism. --- Histoire et critique --- -Egyptian literature --- -Ancient Egyptian literature --- -History and criticism --- Roman égyptien ancien --- Littérature égyptienne --- Egyptian fiction - History and criticism --- Egyptian literature - History and criticism
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Egyptian literature --- Littérature égyptienne --- History and criticism --- Histoire et critique
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The volume collects the result of the project Altägyptische Erzählungen in Texten und Bildern: Ägyptologische Perspektiven auf zentrale Axiome einer historischen Text- und Bildnarratologie. It presents a sound methodological perspective for an analysis of the medial diversity and the historical uniqueness of the Ancient Egyptian narrative culture at the interface of contemporary narratological theories and Egyptological practise. A methodological introduction by Gerald Moers and four case studies on categories of narrative artefacts as diverse as texts, images, and tombs argue in favour of appropriately adjusting narratological theories – instead of just using them – with respect to the historically specific differences of the Egyptian narrative behaviour. Based on a cognitive approach that defines human experience as generally framed in a narrative manner, the contributions define narrative as a phenomenon that is neither restricted to nor defined by one medium that would be considered paradigmatically narrative. The study by Camilla di Biase-Dyson on the Egyptian term s.Dd, which has so far been understood as to refer to linear verbal narrative, argues for a much more complex and sophisticated semantics of the term as defining a specifically Egyptian understanding of what narrative is. In a similar manner, the analysis of certain spells from the Pyramid Texts by Kristina Hutter and Dina Serova establishes the existence of narrative coherence in a genre of texts that has so far been considered as being non-narrative by definition. The study of Claus Jurman on Old Kingdom tombs shows that their integrated compilation of texts, images, statuary, and architecture results in non-linear but complex multimodal narratives. Gerald Moers, in his analysis of exemplary genre-scenes from Ramesside ostraca, shows that even some so-called monochronic images that depict precisely one moment in time and have thus traditionally been said to be a-temporal and non-narrative by definition, often have a clearly structured temporal program and can thus be considered autonomous narratives.
Analyse du discours narratif. --- Discourse analysis, Narrative. --- Égypte. --- Egypt. --- Egyptian literature --- Narration (Rhetoric) --- History and criticism
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A central issue of Egyptological research is the question of dating the original composition of religious or literary texts. Very prominent is a lively debate about the date of composition of a number of literary texts, traditionally dated to the Late First Intermediate Period or the Early Middle Kingdom but known only from New Kingdom manuscripts. Over the last years, several attempts have been made to date the production of some of these texts much closer to their fi rst physical appearance. More recently the discussion has heated up considerably with contributions that argue for a New Kingdom origin of Merikare, Neferti, and Amenemhet—a reassessment based on conceptions of Egyptian cultural history or on linguistic analysis. On the other hand, there is an equally strong tendency to retain at least the early datings or to propose even earlier ones for some literary and many more religious texts.
Egyptian literature --- Egyptian language --- Inscriptions, Egyptian --- Texts --- Egypt --- History --- Conferences - Meetings --- Ancient Egyptian literature --- Afroasiatic languages --- Egyptian language - Texts - Congresses --- Egyptian literature - Congresses
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