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History --- Theatrical science --- Great Britain --- Theater --- English drama --- History. --- History and criticism. --- 792 <41> --- 792 --- Theater. Theaterwetenschap. Toneel--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Theater. Theaterwetenschap. Toneel --- 792 Theater. Theaterwetenschap. Toneel --- 792 <41> Theater. Theaterwetenschap. Toneel--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- History and criticism --- 792 Theatre. Stagecraft. Dramatic performances --- Theatre. Stagecraft. Dramatic performances

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Acting --- Performing arts --- Theater --- Philosophy.

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Volume 1 of The Cambridge History of British Theatre begins in Roman Britain and ends with Charles II's restoration to the throne imminent. The four essays in Part I treat pre-Elizabethan theatre, the eight in Part II focus on the riches of the Elizabethan era, and the seven in Part III on theatrical developments during and after the reigns of James I and Charles I. The essays are written for the general reader by leading British and American scholars, who combine an interest in the written drama with an understanding of the material conditions of the evolving professional theatre which the drama helped to sustain, often enough against formidable odds. The volume unfolds a story of enterprise, innovation and, sometimes, of desperate survival over years in which theatre and drama were necessarily embroiled in the politics of everyday life: a vivid subject vividly presented.

Theater --- English drama --- History. --- History and criticism.

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This book is the first major study of amateur theatre, offering new perspectives on its place in the cultural and social life of communities. Historically informed, it traces how amateur theatre has impacted national repertoires, contributed to diverse creative economies, and responded to changing patterns of labour. Based on extensive archival and ethnographic research, it traces the importance of amateur theatre to crafting places and the ways in which it sustains the creativity of amateur theatre over a lifetime. It asks: how does amateur theatre-making contribute to the twenty-first century amateur turn?

Theatrical science --- theater --- creativiteit

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This title provides a comprehensive survey and study of the theatre produced in the 1950s. It features a critical analysis and reevaluation of the work of four key playwrights authored by a team of experts, together with an extensive commentary on the period.

Business writing. --- Business --- Authorship --- Business communication --- Osborne, John, --- English drama --- History and criticism. --- Eliot, T. S. --- Rattigan, Terence --- Wesker, Arnold, --- Rattigan, Terrence --- Eliot, Thomas Stearns --- Criticism and interpretation. --- Ai-lüeh-tʻe, --- Īliyūt, T. S., --- Elliŏtʻŭ, --- Eliot, Thōmas S., --- Eliot, Th. S., --- Eliot, Thomas Stern, --- Elyoṭ, T. S., --- Ėliot, Tomas Stirns, --- אליוט ט.ס --- אליוט, ת. ס. --- Literary studies: plays & playwrights --- Théâtre anglais --- 20e siècle --- Histoire et critique --- Théâtre anglais --- 20e siècle --- Criticism. --- Théâtre (genre littéraire) anglais --- Histoire et critique. --- Rattigan, Terence. --- Bond, Edward. --- Arden, John. --- Pinter, Harold, --- Ayckbourn, Alan, --- Edgar, David, --- Brenton, Howard, --- Hare, David, --- Churchill, Caryl. --- Barker, Howard, --- Cartwright, Jim, --- Daniels, Sarah, --- Kane, Sarah, --- Neilson, Anthony. --- Ravenhill, Mark. --- Ridley, Philip. --- Stephens, Simon, --- Crouch, Tim, --- Williams, Roy, --- Greig, David. --- Green, Debbie Tucker.