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English (4)


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America on record : a history of recorded sound
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ISBN: 0521475562 Year: 1995 Publisher: Cambridge Cambridge University press

America on record
Author:
ISBN: 0521542812 9780521542814 9780511800566 9780521835152 9780511140525 0511140525 0521835151 0511800568 9780511139178 0511139179 0521835151 1316283925 0511137982 0511139756 0511140223 1322882029 9781316283929 9780511137983 9780511139758 9780511140228 Year: 2005 Publisher: Cambridge New York, NY

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With Thomas Edison's invention of the phonograph, the beautiful music that was the preserve of the wealthy became a mass-produced consumer good, cheap enough to be available to all. In 1877 Edison dreamed that one day there would be a talking machine in every home. America on Record: A History of Recorded Sound, first published in 2006, provides a history of sound recording from the first thin sheet of tinfoil that was manipulated into retaining sound to the home recordings of rappers in the 1980s and the high-tech studios of the 1990s. This book examines the important technical developments of acoustic, electric, and digital sound reproduction while outlining the cultural impact of recorded music and movies. This second edition updates the story, describing the digital revolution of sound recording with the rise of computers, Napster, DVD, MP3, and iPod.


Book
Magic city nights
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ISBN: 0819576999 9780819576996 9780819576972 0819576972 9780819576989 0819576980 Year: 2017 Publisher: Middletown, Connecticut

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Equipping James Bond
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ISBN: 142142665X 9781421426655 9781421426648 1421426641 Year: 2018 Publisher: Baltimore

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"In Equipping James Bond, Andre Millard provides readers with a hundred-year history of espionage technology through the lens of Ian Fleming's James Bond character and the gadgets integrated into both his novels and films. This book takes a wide-ranging look at factual (as well as fictional) technology, starting with the beginning of military aviation spanning through the contemporary threat of computer hacking. Millard views the fictional James Bond universe--and its wide popularity throughout the twentieth century--as evidence for both popular Whiggish perceptions of technological development as well as the borderline apocalyptic fear of technology's potential threats. As technology developed in the twentieth century, Millard contends, so did the gadgets of the James Bond universe--Bond and his adversaries evolved alongside rapidly developing technology. According to Millard, Bond, Ian Fleming, and the global fandom of the James Bond novels and films were simultaneously enthusiastic about triumphant perceptions of growth and technology and fearful of their potential ramifications"--

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