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Sociology of culture --- Sociology of minorities --- Colonisation. Decolonisation --- Art --- art [discipline] --- antisemitism --- racial discrimination --- sex discrimination --- postcolonialism --- participatory action research --- restitution --- shame
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"On Productive Shame, Reconciliation, and Agency prompts a unique crossdisciplinary inquiry into the productive potential of the affect of shame. This book contests the ontological understanding of shame and the psychoanalytical interpretation of it based on personal traumatic experiences linked to lack, loss, memory repression, and absence. Rather, the book builds on complex issues (initially proposed by Paul Gilroy) that concern the coming to terms with a grim colonial and imperial past: How can one deal with the personal and collective memories of "paralyzing guilt" after dreadful atrocities and genocides? How can such negative experiences be transformed into "productive shame" (not only for the perpetrators but also for the victims and witnesses)? This collection of essays, discussions, and interviews reflects on the intersection of the historicity, materiality, and structures behind culturally constructed race and racism, anti-Semitism, anti-Romaism, and queer shame across different disciplines, fields, and theories (for example, in philosophy, art and art history, visual culture, architecture, curating, postcolonial history, gender and queer studies). Various case studies and artistic projects employing collaborative and participatory research methods are analyzed as practices that empower the process of turning shame into productive agency. The ensuing role of productive shame is to prevent the recurrence of the institutional structures, patterns, and events that are responsible and constitutive of racism, and has been contextualized in recent debates on political responsibility and reconciliation in Europe and Africa."
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"On Productive Shame, Reconciliation, and Agency prompts a unique crossdisciplinary inquiry into the productive potential of the affect of shame. This book contests the ontological understanding of shame and the psychoanalytical interpretation of it based on personal traumatic experiences linked to lack, loss, memory repression, and absence. Rather, the book builds on complex issues (initially proposed by Paul Gilroy) that concern the coming to terms with a grim colonial and imperial past: How can one deal with the personal and collective memories of "paralyzing guilt" after dreadful atrocities and genocides? How can such negative experiences be transformed into "productive shame" (not only for the perpetrators but also for the victims and witnesses)? This collection of essays, discussions, and interviews reflects on the intersection of the historicity, materiality, and structures behind culturally constructed race and racism, anti-Semitism, anti-Romaism, and queer shame across different disciplines, fields, and theories (for example, in philosophy, art and art history, visual culture, architecture, curating, postcolonial history, gender and queer studies). Various case studies and artistic projects employing collaborative and participatory research methods are analyzed as practices that empower the process of turning shame into productive agency. The ensuing role of productive shame is to prevent the recurrence of the institutional structures, patterns, and events that are responsible and constitutive of racism, and has been contextualized in recent debates on political responsibility and reconciliation in Europe and Africa."
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Avramovska, Elizabeta ; Arsovska, Mirna ; Atanasoski, Atanas ; Adzigogova, Svetlana Korunovska ; Baseski, Zarko ; Blazeska, Violeta ; Grabuloski, Bogdan ; Slatinec, Katerina Madzar ; Dimitrova, Iskra ; Gligorov, Zlatko ; Guzelova, Liljana ; Jankuloski, Robert ; Kalajdzieva, Margarita Kiselicka ; Maznevski, Antoni ; Moteska, Monika ; Pavleski, Stanko ; Radevska, Dljana Tornic ; Ramicevic, Ismet ; Svetieva, Aneta ; Sokolovski, Slavco ; Spasovic, Dejan ; Suki, Miroslav Stojanovic - ; Trajkovski-Hinki, Zlatko ; Uzunovski, Simon ; Urosevic, Vana ; Pecov, Hapez - Zlatko Hadzi
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Adzigogova, Svetlana Korunovska ; Buzek, Vana Urosevic & Zdenko ; Uzunovski, Simon ; Radevska, Dijana Tomic - ; Moteska, Monika ; Pecov, Zlâtko Hadzi ; Hinki, Zlatko Trajkovski - ; Buzek, Zdenko ; Urosevic, Vana ; Stojanovic, Miroslav ; Jankuloski, Robert ; Slatinec, Bogdan Grabuloski - bonac & Violeta Blazeska & Katerina Madzar ; Svetieva, Aneta ; Sekovski, Igor ; Semov, Boris ; Atanasoski, Atanas ; Ramicevic, Ismet ; Spasovic, Dejan ; Sokolova, Maja ; Gjuzelova, Liljana
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Is art criticism losing ground, because of the Internet and art blogs? Do people still consider the authoritative art critic (in newspapers, magazines) as their most important source to filter what they want to see, read and listen to? Most recent discussions revolve around the question ‘what is art criticism?’; this book explores the question: ‘Where is art criticism?’ It looks at new ways and new spaces where art critics may interact with the public, works of art, artists and scholars. This book suggests that criticism has shifted to different places and different stages: a ‘displacement’, not only with regard to media (from journalism to blogs, catalogues, and such) but also a displacement in the geographical and institutional sense.
art criticism --- Aesthetics of art --- Philosophy and psychology of culture --- Mass communications --- Art criticism --- Critique d'art --- Art, Modern --- Art criticism. --- 7.01 --- Kunstkritiek, hedendaagse --- Kunst ; theorie, filosofie, esthetica --- Analyse de l'art --- Profession artistique --- Presse spécialisée --- Mass media --- Communication --- Art contemporain --- Internet --- Sociologie de la communication --- mass media --- massacommunicatie --- cultuurfilosofie
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