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This collection of essays by Australian based practitioner–theorists brings together new research on interactive documentary making. The chapters explore how documentary theory and practice is influenced by digitisation, mobile phones, and new internet platforms. The contributors highlight the questions raised for documentary makers and scholars as new production methods, narrative forms, and participation practices emerge. The book presents an introduction to documentary techniques shaped by new digital technologies, and will appeal to documentary scholars, students, and film-makers alike.

Motion picture authorship. --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Play-writing --- Documentary films. --- Digital media. --- Motion pictures. --- Australasia. --- Culture. --- Technology. --- Social media. --- Documentary. --- Digital/New Media. --- Australasian Cinema and TV. --- Culture and Technology. --- Social Media. --- User-generated media --- Communication --- User-generated content --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Electronic media --- New media (Digital media) --- Digital communications --- Online journalism --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Social aspects --- History and criticism

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This collection of essays by Australian based practitioner–theorists brings together new research on interactive documentary making. The chapters explore how documentary theory and practice is influenced by digitisation, mobile phones, and new internet platforms. The contributors highlight the questions raised for documentary makers and scholars as new production methods, narrative forms, and participation practices emerge. The book presents an introduction to documentary techniques shaped by new digital technologies, and will appeal to documentary scholars, students, and film-makers alike.

Philosophy and psychology of culture --- Engineering sciences. Technology --- Mass communications --- Film --- TV (televisie) --- sociale media --- cultuur --- film --- technologie --- documentaires (genre) --- Asia --- Oceania with Australia

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Telecommunication technology --- 7.01 --- 791.43.01 --- Video Vortex --- Kunsttheorie ; ontwikkeling van Online Video ; 2005-2010 --- Youtube --- Virtual reality --- Cross-mediale platformen --- Internet --- Digital Imaging --- Mediacultuur --- Videoclips --- Videografie --- computers --- virtual reality --- cybercultuur --- nieuwe media --- film --- filmtheorie --- mediatheorie --- mediakunst --- video --- 791.5 --- Kunst ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- Art vidéo --- Sociologie de la communication --- Sociologie de la culture --- Technologie --- Video. --- Sociala nätverk. --- Interaktiva multimedier. --- Youtube. --- Digitala medier och film. --- Digital filmproduktion. --- Samhälle och media. --- Interactive multimedia. --- Video recordings. --- Social networks. --- Sociala aspekter.