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Conceptual art --- Art, Modern --- Multiple art --- Art conceptuel --- Art --- Multiples (Art) --- Exhibitions. --- Themes, motives --- Exhibitions. --- Exhibitions --- Expositions --- Thèmes, motifs --- Expositions --- Expositions
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Photography, Artistic --- Rest periods --- 7.071 LOCKHART --- eenentwintigste eeuw --- film --- fotografie --- kunst --- kunst en fotografie --- Lockhart Sharon --- Verenigde Staten --- Breaks (Rest periods) --- Coffee breaks --- Tea breaks --- Hours of labor --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- In art --- Aesthetics --- Lockhart, Sharon, --- Exhibitions --- installations [visual works] --- photography [process] --- industry [economic concept] --- video art --- lunchboxes --- lunches --- Lockhart, Sharon
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Art --- fine arts [discipline] --- collecting, United States
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Art --- anno 1900-1999 --- anno 2000-2009
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Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured art - ists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute's special collections - including letters, popular journals, posters, sketches, propaganda, books, and photographs - situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015
Art --- anno 1910-1919 --- World War, 1914-1918 --- War artists --- War in art --- Guerre mondiale (1914-1918) --- Guerre --- Influence --- Art et guerre --- Dans l'art --- War artists. --- War in art. --- Influence.
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Lockhart, Sharon, --- Art --- photography [process] --- industry [economic concept] --- video art --- lunchboxes --- lunches --- Lockhart, Sharon
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Between 1947 and 1967, institutions such as the Harmon Foundation, the Museum of Modern Art, New York, and historically Black colleges and universities collected and exhibited works by many of the most important African artists of the mid-twentieth century, including Ben Enwonwu (Nigeria), Gerard Sekoto (South Africa), Ibrahim El-Salahi (Sudan), and Skunder Boghossian (Ethiopia). The inventive and irrefutably contemporary nature of these artists' paintings, sculptures, and works on paper defied typical Western narratives about African art being isolated in a "primitive" past. Providing an unprecedented examination of the complex connections between modern African artists and American patrons amid the interlocking histories of civil rights, decolonization, and the Cold War, this fascinating volume reveals a transcontinental network of artists, curators, and scholars that challenged assumptions about African art in the United States and encouraged American engagement with African artists as contemporaries.
Art, African --- Artists --- African American artists --- Africans --- Africans in art --- Modernism (Art) --- Art africain --- Artistes --- Artistes noirs américains --- Africains --- Africains dans l'art --- Modernisme (Art) --- HISTORY / United States / General. --- Appreciation --- Social life and customs --- African influences --- Appréciation --- Mœurs et coutumes --- 1900-1999 --- Africa --- United States
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Architectural drawing --- 741:72 --- Architectuurtekeningen 20ste eeuw collectie Alvin Boyarsky --- Tentoonstellingscatalogi Antwerpen De Singel --- Architectuuronderwijs AA School of Architecture Londen --- Boyarsky, Alvin --- Drawing, Architectural --- Plans --- Private collections --- Tekenkunst architectuurtekeningen --- Art collections --- Alvin Boyarsky Archive --- Architectural Association (Great Britain) --- AA --- Architectural Association, London. --- Exhibitions --- draftsmen [people in engineering] --- Boyarski, Alvin --- Architectural Association [London] --- Boyarsky, Alvin, --- Architectuurtekeningen ; 20ste eeuw ; collectie Alvin Boyarsky --- Tentoonstellingscatalogi ; Antwerpen ; De Singel --- Architectuuronderwijs ; AA School of Architecture ; Londen --- Architectural design --- Communication in architectural design --- Drawing --- Mechanical drawing --- Tekenkunst ; architectuurtekeningen --- architectuur --- architectural drawing [process] --- geschiedenis --- Architecture --- anno 1900-1999 --- architecture [discipline]
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In 1959 Daniel Spoerri pioneered the first programmatic series of multiples―three-dimensional objects issued in edition―to be broadly distributed. With a radical emphasis on multiplication and movement, Edition MAT (Multiplication d’art transformable) presented an international selection of work by key figures in postwar kinetic and Op art. Multiplied is the first in-depth English-language study of this seminal project in the history of postwar art. The catalog presents the entirety of the three collections—1959, 1964, and 1965—consisting of 48 artworks by 35 European and US artists associated with kinetic and Op art, including such leading figures as Marcel Duchamp, Dieter Roth, and Jean Tinguely, alongside lesser known artists. With four essays, artist entries, and an appendix of newly translated historical texts, this volume sheds light on under-studied artworks as well as the body of critical thought connecting art, commerce, and display in the postwar period. Artists: Yaacov Agam, Josef Albers, Arman, Jean Arp, Enrico Baj, Davide Boriani, George Brecht, Pol Bury, Christo, Gabriele De Vecchi, Marcel Duchamp, Bo Ek, Robert Filliou, Karl Gerstner, Maurice Henry, Julio Le Parc, Roy Lichtenstein, Heinz Mack, Frank J. Malina, Enzo Mari, Christian Megert, François Morellet, Bruno Munari, Arnulf Rainer, Man Ray, Dieter Roth, Jesús Rafael Soto, Daniel Spoerri, Paul Talman, André Thomkins, Jean Tinguely, Victor Vasarely, Jacques Villeglé, Emmett Williams
Art --- assemblages [sculpture] --- Minimal --- Kinetic Art --- Nouveau Réalisme --- multiples --- Modern [style or period] --- Fluxus --- Op art --- Pop [fine arts styles] --- Spoerri, Daniel --- Arp, Hans --- Tinguely, Jean --- Thomkins, André --- Rainer, Arnulf --- Maurice-Henry --- Mari, Enzo --- Duchamp, Marcel --- Albers, Josef --- Boriani, Davide --- Munari, Bruno --- Vecchi, de, Gabriele --- Christo --- Malina, Frank --- Hultén, Pontus --- Roth, Dieter --- Saint-Phalle, de, Niki --- Talman, Paul --- Vasarely, Victor --- Lichtenstein, Roy --- Gerstner, Karl --- Bury, Pol --- Mack, Heinz --- Megert, Christian --- Morellet, François --- Parc, le, Julio --- Soto, Jesús Rafael --- Agam, Yaakov --- Brecht, George --- Filliou, Robert --- Villeglé, Jacques --- Williams, Emmett --- Man Ray --- Arman --- Baj, Enrico --- anno 1950-1959 --- anno 1960-1969
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