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Historical Dictionary of Rococo Art
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ISBN: 9780810861831 9780810879522 0810879522 1283046326 9781283046329 0810861836 9786613046321 6613046329 Year: 2011 Volume: 20 Publisher: Lanham ; Toronto ; Plymouth, UK : THE SCARECROW PRESS, INC.,

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Historical Dictionary of Rococo Art covers all aspects of Rococo art history through a chronology, an introductory essay, a review of the literature, an extensive bibliography, and over 350 cross-referenced dictionary entries on prominent Rococo painters, sculptors, decorative artists, architects, patrons, theorists, and critics, as well as major centers of artistic production. This book is an excellent access point for students, researchers, and anyone wanting to know more about Rococo art.

Fragonard's playful paintings: visual games in rococo art
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ISBN: 9780719075162 0719075165 Year: 2006 Publisher: Manchester Manchester University Press

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Women, art and the politics of identity in eighteenth-century Europe
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Year: 2003 Publisher: Aldershot Ashgate

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Women, art and the politics of identity in eighteenth-century Europe
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Year: 2003 Publisher: Aldershot Ashgate

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Beyond chinoiserie : artistic exchange between China and the West during the late Qing dynasty (1796-1911)
Authors: ---
ISBN: 9789004387829 9789004387836 9004387838 900438782X Year: 2019 Publisher: Leiden Brill

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"The complex interweaving of different Western visions of China had a profound impact on artistic exchange between China and the West during the nineteenth century. Beyond Chinoiserie addresses the complexity of this exchange. While the playful Western "vision of Cathay" formed in the previous century continued to thrive, a more realistic vision of China was increasingly formed through travel accounts, paintings, watercolors, prints, book illustrations, and photographs. Simultaneoulsy, the new discipline of sinology led to a deepening of the understanding of Chinese cultural history. Leading and emerging scholars in the fields of art history, literary studies and material culture, have authored the ten essays in this book that deal with artistic relations between China and the West at a time when Western powers' attempts to extend a sphere of influence in China led to increasingly hostile political interactions"--

Keywords

Civilization, Western --- Arts --- S02/0300 --- S04/0680 --- S17/1800 --- S17/1850 --- Chinese influences --- China: General works--Chinese culture and the World and vice-versa --- China: History--Qing: general: 1644 - 1912 --- China: Art and archaeology--Influence on Foreign art (incl. Chinoiserie) --- China: Art and archaeology--Chinese export art --- China --- Europe --- United States --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Foreign public opinion, American. --- Foreign public opinion, European. --- History --- Relations --- International relations. --- Public opinion, American. --- Public opinion, European. --- Qing Dynasty (China). --- Chinese influences. --- 1644-1912. --- China. --- Europe. --- United States. --- PRC --- P.R.C. --- BNKhAU --- БНХАУ

Women, art and the politics of identity in eighteenth-century Europe
Authors: ---
ISBN: 1315233665 9781351871730 1351871730 9781315233666 0754607100 9780754607106 9780754607106 9781351871716 1351871722 9781351871723 Year: 2016 Publisher: Abingdon, Oxon : Routledge,

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Beyond chinoiserie : artistic exchange between China and the West during the late Qing dynasty (1796-1911)
Authors: ---
ISBN: 9004387838 900438782X Year: 2019 Publisher: Leiden ; Boston : Brill,

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"The complex interweaving of different Western visions of China had a profound impact on artistic exchange between China and the West during the nineteenth century. Beyond Chinoiserie addresses the complexity of this exchange. While the playful Western "vision of Cathay" formed in the previous century continued to thrive, a more realistic vision of China was increasingly formed through travel accounts, paintings, watercolors, prints, book illustrations, and photographs. Simultaneoulsy, the new discipline of sinology led to a deepening of the understanding of Chinese cultural history. Leading and emerging scholars in the fields of art history, literary studies and material culture, have authored the ten essays in this book that deal with artistic relations between China and the West at a time when Western powers' attempts to extend a sphere of influence in China led to increasingly hostile political interactions"--

Keywords

Civilization, Western --- Arts --- Chinese influences. --- China --- Europe --- United States --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Foreign public opinion, American. --- Foreign public opinion, European. --- History --- Relations


Book
Michelangelo to Matisse: drawing the figure
Authors: --- --- --- --- --- et al.
ISBN: 073476300X Year: 1999 Publisher: Syndey Art Gallery of New South Wales

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Book
Making Ideas Visible in the Eighteenth Century.
Authors: --- --- --- --- --- et al.
ISBN: 1644532352 1644532344 9781644532355 9781644532348 Year: 2022 Publisher: Newark : University of Delaware Press,

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This volume considers how ideas were made visible through the making of art and visual experience occasioned by reception during the long eighteenth century. The event that gave rise to the collection was the 15th David Nochol Smith Seminar in Eighteenth-Century Studies, which launched a new Australian and New Zealand Society of Eighteenth-Century Studies. Two strands of interest are explored by the individual authors. The first four essays work with ideas about material objects and identity formation, suggesting how the artist's physical environment contributes to the sense of self, as a practicing artist or artisan, as an individual patron or collector, or as a woman or religious outsider. The last four essays address the intellectual work that can be expressed through or performed by objects. Through a consideration of the material formation of concepts, this book explores questions that are implicated by the need to see ideas in painted, sculpted, illustrated, and designed forms. In doing so, it introduces new visual materials and novel conceptual models into traditional accounts of the intellectual history of the Enlightenment.

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