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This book is an invitation to rethink our understanding of Turkish literature as a tale of two “others.” The first part of the book examines the contributions of non-Muslim authors, the “others” of modern Turkey, to the development of Turkish literature during the late Ottoman and early republican period, focusing on the works of largely forgotten authors. The second part discusses Turkey as the “other” of the West and the way authors writing in Turkish challenged orientalist representations. Thus this book prepares the ground for a history of literature which uncouples language and religion and recreates the spaces of dialogue and exchange that have existed in late Ottoman Turkey between members of various ethno-religious communities.
Literature and society --- Orientalism. --- Religion and literature --- Turkish literature --- LITERARY CRITICISM / Middle Eastern. --- Minority authors --- History and criticism. --- Armeno-Turkish. --- Jewish. --- Judaeo-Turkish. --- Karamanli. --- Middle East. --- Other. --- Ottoman literature. --- comparative. --- criticism. --- culture. --- essays. --- fiction. --- non-Muslim authors. --- orientalism. --- philosophy. --- poetry. --- religious minorities. --- Balkan literature --- Literature --- Literature and religion --- East and West --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Moral and religious aspects --- Social aspects --- Baha Tevfik, --- Crtiticism and interpretation. --- بها توفيق
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espionnage --- surete de l'etat --- espionnage --- histoire --- belgique --- 20e siecle --- surete de l'etat
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Connu et respecté de l'ensemble de la profession, Didier Duverger est le banquier du cinéma français depuis plus de trente ans. Aujourd'hui leader incontesté du financement du septième art, Natixis Coficiné oeuvre depuis 1949 pour soutenir et développer le cinéma. Au travers du parcours de Didier Duverger, ce livre est une plongée dans l'histoire de Natixis Coficiné et les coulisses du cinéma français sous les angles cinématographique, humain et financier. Au niveau de l'industrie tout d'abord, période par période, puis avec des exemples de films, leur parcours, du financement au bilan ; on fera ainsi ressortir des grands succès en salle mais également des films plus confidentiels qui ont été des réussites financières grâce à Natixis Coficiné. Ce récit narratif et très accessible nous fait découvrir comment la banque a permis de sécuriser et de structurer le cinéma français.Car il ne pourrait, en effet, y avoir de grands succès en salle sans financement préalable.
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