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Over a career that has spanned more than six decades, Woody Allen has explored the emotion of regret as a response to the existentialist dilemma of not being someone else. Tracing this recurrent theme from his stand-up comedy routines and apprentice work through classics like Annie Hall, Manhattan, The Purple Rose of Cairo, Hannah and Her Sisters, and Bullets Over Broadway as well as less esteemed accomplishments (Another Woman, Sweet and Lowdown, Cassandra's Dream), this volume argues that it is ultimately the shallowness of his protagonists' regret-their lack of deeply felt, sustained remorse-that defines Allen's pervasive view of human experience. Drawing on insights from philosophy, theology, psychology, and literature, the book discusses nearly every Woody Allen film, with extended analyses of the relationship films (including Alice and Husbands and Wives), the murder tetralogy (including Match Point and Irrational Man), the self-reflexive films (including Stardust Memories and Deconstructing Harry), and the movies about nostalgia (including Radio Days and Midnight in Paris). The book concludes by considering Allen's most affirmative resolution of regret (Broadway Danny Rose) and speculating about the relevance of this through-line for understanding Allen's personal life and prospects as an octogenarian auteur.
Regret --- Allen, Woody, --- Criticism and interpretation. --- Critique et interprétation --- Motion picture producers and directors --- Regret. --- PERFORMING ARTS / Film & Video / History & Criticism. --- Emotions --- Allen, Woody --- Konigsberg, Allen Stewart, --- Konigsberg, Allan Stewart, --- Allen, Heywood, --- Allen, Vudi, --- Ален, Вудзі, --- Alen, Vudzi, --- Алън, Уди, --- Alŭn, Udi, --- Кьонигсберг, Алън Стюарт, --- Konigsberg, Alŭn Sti︠u︡art, --- Αλεν, Γούντι, --- Alen, Gounti, --- Κένιγκσμπεργκ, Αλεν Στιούαρτ, --- Keninksmpernk, Alen Stiouart, --- Аллен, Вуди, --- Aellŏn, Udi, --- 앨런, 우디, --- Alen, Ṿudi, --- Allens, Vudijs, --- Konigsbergs, Elens Stjuarts, --- Ален, Вуди, --- Кенигсберг, Ален Стјуарт, --- Kenigsberg, Alen Stjuart, --- ウディ・アレン, --- Aren, Udi, --- Конигсберг, Аллен Стюарт, --- Konigsberg, Allen Sti︠u︡art, --- Аллен, Вуді, --- Коніґсберґ, Аллен Стюарт, --- עלען, וואדי, --- 伍迪·艾伦, --- Ailun, Wudi,
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Films discussed include Jules and Jim, Escape from Alcatraz, The day of the jackal, Reservoir dogs, Persona, The magician, House of games, Nosferatu: a symphony of horror, Nosferatu: the vampyre, Reilly: ace of spies, The mystery of Kaspar Hauser, The thin blue line, Lacombe, Lucien, Daddy Nostalgia, Mephisto, Badlands, Days of Heaven, Five Easy Pieces, and The lacemaker.
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Malick, Terrence, --- Malick, Terence, --- Malick, Terry, --- Criticism and interpretation.
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Long held to be among the world's greatest filmmakers, Ingmar Bergman shaped international art cinema from the 1950s to the 1980s. Among his many works, Persona is often considered to be his masterpiece and is often described as one of the central works of Modernism. Bergman himself claimed that this film 'touched wordless secrets only the cinema can discover'. The essays collected in this volume, and published for the first time, use a variety of methodologies to explore topics such as acting technique, genre, and dramaturgy. It also includes translations of Bergman's early writings that have never before been available in English, as well as an updated filmography and bibliography that cover the filmmaker's most recent work.
Persona (Motion picture) --- Motion pictures --- Production and direction. --- Bergman, Ingmar,
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