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Book
How the Russians read the French : Lermontov, Dostoevsky, Tolstoy
Author:
ISBN: 1282594826 9786612594823 0299229335 9780299229337 9780299229344 0299229343 9780299229306 0299229300 9781282594821 Year: 2008 Publisher: Madison, WI : University of Wisconsin Press,

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Abstract

Russian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves self-consciously through Western European eyes, at once admiring Europe and feeling inferior to it. This ambivalence was perhaps most keenly felt in relation to France, whose language and culture had shaped the world of the Russian aristocracy from the time of Catherine the Great. In How the Russians Read the French , Priscilla Meyer shows how Mikhail Lermontov, Fyodor Dostoevsky, and Lev Tolstoy engaged with French literature and culture to define their own positions as Russian writers with specifically Russian aesthetic and moral values. Rejecting French sensationalism and what they perceived as a lack of spirituality among Westerners, these three writers attempted to create moral and philosophical works of art that drew on sources deemed more acceptable to a Russian worldview, particularly Pushkin and the Gospels. Through close readings of A Hero of Our Time , Crime and Punishment , and Anna Karenina , Meyer argues that each of these great Russian authors takes the French tradition as a thesis, proposes his own antithesis, and creates in his novel a synthesis meant to foster a genuinely Russian national tradition, free from imitation of Western models. Winner, University of Southern California Book Prize in Literary and Cultural Studies, American Association for the Advancement of Slavic Studies.

Keywords

Russian literature --- French influences. --- Tolstoy, Leo, --- Dostoyevsky, Fyodor, --- Lermontov, Mikhail I͡Urʹevich, --- Толстой, Лев, --- Толстой, Лев Николаевич, --- Tolstoĭ, Lev Nikolaevich, --- Dōlsdōy, L. N., --- Ṭālsṭāy, --- Ṭālsṭāy, Liyō, --- Talstoĭ, Leŭ, --- Tʻo-erh-ssu-tʻai, --- Tʻo-erh-ssu-tʻai, Lieh-fu, --- Ṭôlasṭāya, Liyo, --- Толстой, Л. М., --- Tolstoĭ, L. M., --- Толстой, Л. Н. --- Tolstoĭ, L. N. --- Tolstoi, Leo N., --- Tolstoï, Léon, --- Tolstoï, Léon Nikolaevitch, --- Tolstoi, Leone, --- Tolstói, Lev, --- Tolstoi, Lew, --- Tolstoı̂, Lion, --- Tolstoi, Lyof N., --- Tolstoj, Lav Nikolajević, --- Tolstoj, Law, --- Tolstoj, Lev Nikolajevič, --- Tołstoj, Lew, --- Tolstoy, L. N. --- Tolstoy, Léon, --- Tolstoy, Lev, --- Tolsztoj, Lev, --- Ttolsŭttoi, --- Tūlstūy, Līf, --- Tuo'ersitai, --- Tuo'ersitai, Liefu, --- Талстой, Леў, --- טאלסאטי, לעא, --- טאלסטאי, ל. --- טאלסטאי, ל., --- טאלסטאי, ל.נ --- טאלסטאי, ל. נ., --- טאלסטאי, לאװ, --- טאלסטאי, לעא --- טאלסטאי, לעא, --- טאלסטאי, לעװ --- טאלסטאי, לעװ, --- טאלסטאי, לעוו --- טאלסטאי, לעוו, --- טאלסטאי, ליעװ --- טאלסטאי, ליעוו --- טאלסטאי, גראף לעא --- טאלסטוי, ל., --- טאלסטוי, ל. נ., --- טאלסטוי, לאר, --- טאלסטוי, לעא, --- טולסטאי, לב נ., --- טולסטױ, ל. --- טולסטױ, ל., --- טולסטױ, ל. נ. --- טולסטוי --- טולסטוי, ל. --- טולסטוי, ל., --- טולסטוי, ל. נ. --- טולסטוי, ל.נ., --- טולסטוי, ל. נ., --- טולסטוי, לב --- טולסטוי, לב, --- טולסטוי, לב ניקולוביץ, --- טולסטוי, ליב --- טולסטוי, ליב, --- تولستوى، ل، --- لئون تولستوى --- レオ.トルストイ, --- 托爾斯泰, 列夫, --- Tolstojs, L̦evs N., --- Tolstoi, Leo Nikolaievich, --- Tolstojus, L. N., --- ドストエフスキー --- Lai-meng-tʻo-fu, --- Lai-meng-tʻo-fu, Mi-ha-i-erh Yu-li-yeh-wei-chʻi, --- Lermontoph, Michaēl, --- Lermontov, --- Lermontov, M. I︠U︡. --- Lermontov, M. Y., --- Lermontov, Michael, --- Lermontov, Michail Jurjevič, --- Lermontov, Mikhayil Yurevichʹ, --- Lermontov, Mishelʹ, --- Lermontow, Michael Jurjewitsch, --- Lermontow, Michał, --- Ljermontov, Mihail Jurjević, --- Лермонтов, --- Лермонтов, М. Ю. --- Лермонтов, Михаил Юрьевич, --- לערמאנטאװ, מ. יו --- לערמאנטאװ, מ. יו., --- לערמאנטאוו, מ. יו --- לערמאנטאוו, מיכאיל איורעוויטש, --- לרמנטוב, מ. י. --- לרמונטוב --- לרמונטוב, מ. י. --- לרמונטוב, מ. י., --- לרמונטוב, מיכאיל י., --- לרמונטוב, מיכאיל יורביץ׳, --- לרמונטוב, מיכיל יורביץ, --- Criticism and interpretation. --- Tolstoĭ, Lev Nikolaevich --- Tolstoj, Lev Nikolaevič --- Tolstoi, Leo --- Tolstoj, Leo --- Tolstoj, Lew Nikolajewitsj --- Tolstoy, Leo --- Tolstoï, Léon --- Littérature russe --- Influence française --- Lermontov, Mikhail I︠U︡rʹevich, --- Dostoevskij, Fëdor Mihajlovič --- Dostoevskij, Fjodor Mihajlovič --- Dostoevskij, Fedor Mikhajlovich --- Dostojevski, Fjodor Michajlovitsj --- Dostojewski, Fedor --- Dostojevski, Fedor --- Dostojewski, Fjodor --- Dostojevski, Fjodor --- Dostojewski, Fjodor Michailowitsj --- Dostojewskij, Fjodor M. --- Dostoïevski, Fiodor --- Dostoïevsky, Fedor Mihajlovic --- Достоевский, Федор, --- Dostoevskiĭ, Fedor, --- Dostoievski, Fédor Mikhailovitch, --- Dostoievski, Fiodor, --- Dostojevski, F. M., --- Dostojewskij, Fjodor M., --- Tʻo-ssu-tʻo-yeh-fu-ssu-chi, --- Tuosituoyefusiji, --- Dostoevsky, Fyodor, --- Zuboskal, --- Dostoevskiĭ, Fedor Mikhaĭlovich, --- Dostoevskiĭ, F. M. --- Dostojewski, Fjedor Michailowitsch, --- Dustūyafskī, Fīdūr, --- Dostoievsky, F., --- Dosztojevszkij, Fjodor Mihajlovics, --- Tu-ssu-tʻo-yeh-fu-ssu-chi, --- Dusituoyefusiji, --- Dostojewski, --- Dostojewski, Fiodor, --- Dostoevskij, Fedor, --- Dostojewskij, F. M. --- Dostojevskij, F. M., --- Dostojevskij, Fjodor, --- D̲ostogiephski, Ph. M., --- Dostoïevsky, Th. M., --- D̲ostogiephsky, Phiontor Michaēlovits, --- Dostoiewskij, --- Dostojewski, Fjodor, --- Dostoevsky, Fedor, --- Dostoïevsky, Fédor, --- Dostoevsky, F. M. --- Dostojevskis, F., --- Dostoevski, F., --- Dostojewsky, --- Dosṭoyevsḳi, Fyodor Mikhailovits', --- Dostogephskē, Th., --- Dostojewski, Teodor, --- Dāstavaskī, --- D̲ostogephski, --- Dostojevskis, Fjodors, --- D̲ostogievskē, Phiontor, --- Dostoyewski, Fedor, --- Dosztojevszkij, F. M. --- Dosṭoyeṿsḳi, F. M., --- Dostojevskij, Fedor Michajlovič, --- Tāstayēvski, K̲apiyōtar, --- Dostoievski, Fedor, --- Dastoyaveski, Fiyodar, --- Dosṭoyevsḳi, Fyodor, --- Dāstāyivskī, --- דאםטאיעווםקי, פ. --- דאסטאיעווסקי, פ. --- דאסטאיעווסקי, פ. מ. --- דאסטאיעווסקי, פ. מ., --- דאסטאיעוועסקי, פ. --- דאסטאיעװסקי, פ.מ --- דאסטאיעװסקי, פ., --- דוסטויבסקי --- דוסטויבסקי, פדור מיכאילוביץ --- דוסטויבסקי, פיודור מיכאילוביץ, --- דוסטויבסקי, פיודור ניכילוביץ' --- דוסטויבסקי, פיודור, --- דוסטויבסקי, פי., --- דוסטויבסקי, פ. מ., --- דוסטויבסקי, ת. ד. --- דוסטוייבסקי, פיודור --- דוסטוייבסקי, פיודור, --- 陀司妥也夫斯基, --- 陀思妥也夫斯基, --- 陀思妥耶夫斯基, --- F. ドストエフスキー, --- Tolstoj, Lev Nikolaevitsj --- Толстой, Лев Николаевич --- Tolstoj, Lev Nikolajevitsj --- Lermontov, Michaïl Joerjevitsj --- Lermontov, Michail Joerjevitsj --- Lermontov, Mikhail Yuryevich --- Lermontov, Mikhayl Yuryevich --- Lermontov, Mihail Ûrʹevič --- Lermontov, Mihail Jur'evic --- Lermontov, Mihail I︠u︡r'evič --- Lermontoff, Michel Iorgevitch --- Lermontov, M. I. --- Lermontow, Michail --- Lermontov, Mikhail IUrevich,


Book
Nabokov and indeterminacy
Author:
ISBN: 0810137453 9780810137455 9780810137448 9780810137431 0810137445 Year: 2018 Publisher: Evanston, Illinois

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Abstract

In Nabokov and Indeterminacy, Priscilla Meyer shows how Vladimir Nabokov's early novel The Real Life of Sebastian Knight illuminates his later work. Meyer first focuses on Sebastian Knight, exploring how Nabokov associates his characters with systems of subtextual references to Russian, British, and American literary and philosophical works. She then turns to Lolita and Pale Fire, applying these insights to show that these later novels clearly differentiate the characters through subtextual references, and that Sebastian Knight's construction models that of Pale Fire.Meyer argues that the dialogue Nabokov constructs among subtexts explores his central concern: the continued existence of the spirit beyond bodily death. She suggests that because Nabokov's art was a quest for an unattainable knowledge of the otherworldly, knowledge which can never be conclusive, Nabokov's novels are never closed in plot, theme, or resolution-they take as their hidden theme the unfinalizability that Bakhtin says characterizes all novels.The conclusions of Nabokov's novels demand a rereading, and each rereading yields a different novel. The reader can never get back to the same beginning, never attain a conclusion, and instead becomes an adept of Nabokov's quest. Meyer emphasizes that, unlike much postmodern fiction, the contradictions created by Nabokov's multiple paths do not imply that existence is constructed arbitrarily of pre-existing fragments, but rather that these fragments lead to an ever-deepening approach to the unknowable.


Book
Iuz! Ctenija po slucaju 75-letija Juza Aleskovskogo.
Authors: ---
ISBN: 5946070576 Year: 2005 Publisher: Moskva : Tri kvadrata,

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Essays on Gogol : logos and the Russian word
Authors: ---
ISBN: 0810111918 Year: 1994 Publisher: Evanston (Ill.) : Northwestern university press,

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Keywords

Nabokov's world
Authors: --- --- ---
ISBN: 0333964152 0333964179 Year: 2002 Publisher: Houndmills : Palgrave,

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Dissertation
De mogelijkheden van het Internationaal Strafhof en het Europees Hof voor de Rechten van de Mens voor Internally Displaced People in Zuid-Ossetië.
Authors: --- ---
Year: 2011 Publisher: Leuven K.U.Leuven. Faculteit Rechtsgeleerdheid

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