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Graphic Design Museum Gent is a place where Belgian graphic design is researched, discussed, documented, and exhibited. This temporary museum is a working space of Belgian Institute for Graphic Design (BINGO), which is researching the graphic history of Design Museum Gent, and Post Identity Project (PIP*), which is exploring what different new graphic identities the museum can adopt.BINGO is an independent organisation functioning as a knowledge centre and presentation platform for graphic design in and from Belgium. They are currently working on developing an online platform for Belgian graphic design.PIP* offers a programme for recent graphic design graduates of LUCA School of Arts and KASK & Conservatorium to rethink the (graphic) identity of Design Museum Gent. During the museum’s renovation, PIP* investigates which different (graphic) identities a museum can adopt today. This happens through experiments, self-initiated projects and in-house commissions. The members of PIP* rotate on a regular basis. 019 and Design Museum Gent provide the professional framework throughout the process.
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This book presents an extensive selection of drawings by Jonas Dehnen in a self-published bundle entitled ‘Fontanelle’. It comprises scans, photos, and installation views of an exhibition (by the same title) of some of the drawings that took place at moon street projects, Antwerp, in 2022. A short text that accompanied the exhibition, by the artist and writer Céline Mathieu, is also included, as well as a Q+A between the artist and Louis-Philippe Van Eeckhoutte. The book was designed by Leroy Meyer, and printed by Die Keure in Bruges. The drawings reproduced in the book make a number of thematic links to the environment that it will be presented in a landscaped park. Furthermore, the offset printing plates used to print the book were recuperated by the artist, and used to clad the sculpture he presents at Publiek Park.
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Leroy Meyer vertrekt van zijn bureau als commandocentrum. Hij nodigt mensen uit om een selectie te maken van 10 boeken uit de ongekende collectie Kostbare Werken van de Sint-Lucasbibliotheek. Deze collectie vormt hij om tot ‘The Intellectual Meeting Place.’ Hij stelt zichzelf hierbij de vraag: Wat de grenzen zijn tussen een bibliothecaris, een grafisch ontwerper en een post-conceptuele kunstenaar? Enkel Leroy biedt hierop een eigenzinnig antwoord door ze zich alle drie toe te eigenen.
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Museology --- Graphic arts --- museology
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A short but flourishing era of Avant-Garde in Georgia brought back to life. In the turbulent global context following the fall of the Russian Empire and the October Revolution, Georgia declared its independence in 1918. Between then and the beginning of Soviet rule in 1921, an Avant-Garde creative scene burgeoned. Artists met, mainly in the many taverns and cafés in Kutaisi and the capital Tbilisi, to organise multidisciplinary events. Their frequent collaborations and interactions, which bore the imprint of Georgian tradition and Western and Eastern influences, took various forms: paintings, drawings, films, photos, performances and typographical experiments. Divergent movements such as Symbolism/Neo-Symbolism, Futurism, Dadaism, Zaum, Expressionism, Cubism and Cubo-Futurism existed side by side in unprecedented creative turbulence. This book tells the unknown story of a vibrant Avant-Garde in the Caucasus, born in the taverns of Tbilisi – artistic laboratories where anything was possible, but where Soviet censorship lurked. Extensively illustrated with works by Elene Akhvlediani, Gigo Gabashvili, Irakli Gamrekeli, Lado Gudiashvili, David Kakabadze, Petre Otskheli, Niko Pirosmanashvili, Ilia and Kirile Zdanevich, and many others. The publication coincides with the exhibition of the same name, The Avant-Garde in Georgia (1900–1936), which runs at BOZAR, Brussels from 5 October 2023 to 14 January 2024 and is part of the Europalia arts festival.
Art, Modern --- Art, Georgian (South Caucasian) --- Painting, Georgian (South Caucasian) --- Photography --- Theaters --- Stage-setting and scenery --- Georgia (Republic) --- Intellectual life --- Art --- visual arts [discipline] --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- Georgia
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