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Cranach, Lucas I --- italianisanten --- naakt --- reformatie --- geschiedenis --- Cranach, Lucas (I) --- Dürer, Albrecht --- Titiaan --- Massijs, Quinten (I) --- 15de eeuw --- 16de eeuw --- Nederlanden --- Italië --- 75.07 --- Schilderkunst ; 16de eeuw ; Lucas Cranach en tijdgenoten --- Schilderkunst ; grafiek ; Noordelijke Nederlanden ; 16de eeuw --- Schilderkunst ; grafiek ; Duitse Renaissance --- Cranach, Lucas (de Oude) 1472-1553 (°Kronach, Oberfranken, Duitsland) --- Tentoonstellingscatalogi ; Brussel ; Bozar ; Paleis voor Schone Kunsten --- Schilderkunst ; schilders --- Exhibitions --- Cranach, Lucas --- painters [artists] --- Painting [German ] --- 16th century --- Catalogs --- italianisanten. --- naakt. --- reformatie. --- geschiedenis. --- Cranach, Lucas (I). --- Dürer, Albrecht. --- Titiaan. --- 15de eeuw. --- 16de eeuw. --- Nederlanden. --- Italië.
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woodcuts [prints] --- design [discipline] --- Stimmer, Tobias
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Art --- drawing [image-making] --- Duitse school
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Painting --- easel paintings [paintings by form] --- Jode, de, Hans --- Kunsthistorisches Museum [Vienna]
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Art --- imago --- Renaissance --- Ottoman [style] --- Kunsthistorisches Museum [Vienna] --- anno 1400-1499 --- anno 1500-1599
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Niklaus Manuel (or Niklaus Manuel Deutsch, 1484? - 1530) was mainly active in Berne and is regarded as one of the foremost Swiss Renaissance artists. Unusually versatile - he was also active as a poet, politician, religious reformer and soldier - he left an exceptional oeuvre characterized by inventive compositions and a decorative-calligraphic graphic style. His best-known woodcuts - the series illustrating the Wise and Foolish Virgins - were conceived as autonomous prints; dated 1518, they are his only signed work. Also of interest are his countless small, miniature-like woodcuts for book illustrations that feature a wealth of carefully-detailed lively figures and were repeatedly, sometimes posthumously, used in books published at Basle. Unlike his son, Hans Rudolf Manuel (or Hans Rudolf Manuel Deutsch, 1525-1571), Niklaus executed only a small number of woodcuts, focusing instead on paintings and drawings. Although he remained in Berne he produced countless woodcuts for books published by printers resident in . e produced countless woodcuts for books published by printers resident in Basle, among them Johannes Oporin, Heinrich Petri and Johannes Froben; Niklaus thus helped to fill the gap left by Hans Holbein’s permanent move to England in 1532 and Conrad Schnitt’s death in 1541.Hans Rudolf Manuel’s best-known prints are his topographical views for Sebastian Münster’s Cosmographie (Petri 1550), and the woodcuts for Rudolf Agricola’s De Metallica (Froben 1556). In addition to book illustrations he also produced a number of mostly large-scale autonomous woodcuts, some of which are based on works by his father. These compositions document the eclectic nature of his work; until now his impressive graphic oeuvre had not received the art-historical attention it deserves, being mined primarily as a source for cultural and historical studies. This book, published in the series “New Hollstein German”, hopes to remedy this.
Drawing --- Manuel, Niklaus --- Manuel, Hans Rudolf --- Manuel, Niklaus, --- Manuel, Hans Rudolf, --- Manuel Deutsch, Niklaus, --- Manuel Deutsch, Hans Rudolf, --- 76 <494> "15" --- 76 MANUEL, HANS RUDOLF --- 76 MANUEL, NIKLAUS --- 76 MANUEL, NIKLAUS Grafische kunsten. Grafiek. Prentkunst--MANUEL, NIKLAUS --- Grafische kunsten. Grafiek. Prentkunst--MANUEL, NIKLAUS --- 76 MANUEL, HANS RUDOLF Grafische kunsten. Grafiek. Prentkunst--MANUEL, HANS RUDOLF --- Grafische kunsten. Grafiek. Prentkunst--MANUEL, HANS RUDOLF --- 76 <494> "15" Grafische kunsten. Grafiek. Prentkunst--Zwitserland--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--Zwitserland--16e eeuw. Periode 1500-1599 --- Graphic arts --- prints [visual works] --- Manuel, Niklaus, - 1484-1530 --- Manuel, Hans Rudolf, - 1525-1571 --- Manuel Deutsch, Niklaus, - 1484-1530 --- Manuel Deutsch, Hans Rudolf, - 1525-1571
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