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"Arranged in chronological order, the book's five sections and its conclusion offer a synthetic portrait of Mies's career and reception, spanning sixty years, two continents and two world wars. The text tells a continuous story, however, most chapters focus on a significant work (the Seagram building or the IIT campus), allowing for an in-depth presentation of photographs and drawings; other chapters focus on a specific event in Mies's life (such Mies's time as the head of the Bauhaus)."--publisher.
Architecture --- architecture [object genre] --- modern German architecture styles and movements --- Mies van der Rohe, Ludwig --- anno 1900-1999 --- Architecture, Modern --- Architects --- Architectes --- History --- Biography --- Histoire --- Biographies --- Mies van der Rohe, Ludwig, --- Mies Van Der Rohe, Ludwig --- Architectuur ; 20ste eeuw --- Mies, Ludwig, --- Mis van der Roė, Li︠u︡dvig, --- Rohe, Ludwig Mies van der, --- Rohe, Mies van der, --- Van der Rohe, Ludwig Mies, --- Misi Fan De Luo, --- architecture [discipline] --- American [North American] --- Mies Van Der Rohe, Ludwig, --- Architecture, Modern - 20th century --- Mies Van Der Rohe, Ludwig, 1886-1969 --- Mies van der Rohe, Ludwig, - 1886-1969
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Cet essai met en avant les préoccupations des modernistes : transparence, architecture de verre, organicité, vie et événement, similitude et différence. Auparavant publiés dans une variété de revues & anthologies - y compris des livres remarquables tels que le NOX de Lars Spuybroek: "Machining Architecture" et "Phylogenesis" de FOA -ces textes sont maintenant réunis pour la première fois dans ce volume.
Architecture --- Modern movement (Architecture) --- Mouvement moderne (Architecture) --- Philosophy. --- Philosophie --- Modernité --- Transparence --- Ecrit d'architecte --- Théorie de l'architecture --- Benjamin, Walter --- 72.01 --- 72.036 --- Architectuurtheorie ; essays ; Detlef Mertins --- Architectuuronderwijs ; AA School of Architecture ; Londen --- Architectuur (theorie) --- Architectuurtheorie --- Modernisme (architectuur) --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Architectuur ; theorie, filosofie, esthetica --- Modern movement (Architecture). --- Benjamin, Walter, --- Benjamin, Walter, 1892-1940
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Architecture, Modern --- Architecture --- Exhibitions. --- Expositions --- Architecte --- Ungers, Simon --- Starck, Philippe --- Samyn, Philippe --- Nouvel, Jean --- Moneo, Rafael --- De Meuron, Pierre --- Koolhaas, Rem --- Herzog, Jacques --- Eisenman, Peter --- 20e siècle --- Architectuur ; monolithische ; 1980-1995 --- Computer Aided Design ; CAD --- Koolhaas, Rem ; OMA --- Moussavi, Farshid & Alejandro Zaera-Polo --- Ungers, Simon & Tom Kinslow --- Herzog, Jacques & De Meuron, Pierre --- 72.038 --- (069) --- monolitische architectuur --- Peter Eisenman --- Herzog & De Meuron --- Rem Koolhaas --- Rafael Moneo --- Alejandro Zaera Polo --- Foreign Office Architects --- Jean Nouvel --- Philippe Samyn --- Philippe Starck --- Simon Ungers --- architectuur --- architectuur 20e eeuw --- Architectuurgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Architectural models --- Architectural drawing --- Modernism --- Modernism. --- Exhibitions --- Koolhaas, Rem, --- Nouvel, Jean, --- Eisenman, Peter, --- Herzog, Jacques, --- Nouvel, Jean, 1945 --- -Moneo, Rafael --- Koolhaas, Rem, 1944 --- -Herzog, Jacques, 1950 --- -Eisenman, Peter, 1932 --- -Architecture, Modern --- -Architecte --- -Architectural drawing
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This is the most readable, comprehensive, and beautiful book ever published on one of the twentieth century’s most influential architects, now available with a stunning new cover. Known for the beauty and purity of his work, Ludwig Mies van der Rohe built remarkable houses, skyscrapers, museums, and multibuilding campuses. Accompanied by more than 700 drawings, photographs, plans, and diagrams. Mertins’ rich and highly readable text traces the aesthetic and intellectual context for all of Mies van der Rohe’s work, with in-depth discussions of his most important buildings and projects. The clarity of Mies’s architecture belies the diversity of his interests, which included philosophy and science as well as design, and Mertin’s rigorous and accessible text gives the reader a clear description of all the most important of Mies’s buildings as well as the intellectual contexts for their design. Includes such buildings as: the Barcelona Pavilion in Spain; the Tugendhat House in Brno, Czech Republic; S. R. Crown Hall at the Illinois Institute of Technology in Chicago, USA; and the New National Gallery in Berlin, Germany.
Architects --- Architecture, Modern --- Mies van der Rohe, Ludwig, --- Analyse de l'architecture --- Maison d'architecte --- Mobilier --- Design --- Mouvement moderne --- Processus de conception --- Histoire de l'architecture --- Gratte-ciel --- Rapport architecture-nature --- Architecture organique --- Mobilier d'architecte
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First published in 1923, the journal G: Material zur Elementaren Gestaltung (G: Materials for Elemental Form-Creation) helped shape a new phase in the history of the European avant-garde. Founded by Hans Richter, a pioneer of abstract animated film, G featured works by some of the important names in the advanced cultures of Europe: Hans Arp, Walter Benjamin, Theo van Doesburg, Viking Eggeling, Naum Gabo, Werner Graeff, George Grosz, Hugo Häring, Raoul Hausmann, Ludwig Hilberseimer, Frederick Kiesler, El Lissitzky, Ludwig Mies van der Rohe, Antoine Pevsner, Man Ray, and Tristan Tzara.This edition, the first in English translation, preserves the original design by Lissitzky, Richter, and Graeff, and includes essays that explore the role of the journal in its time and in relation to contemporary culture. An introduction analyzes the principles of the journal, situates it in the culture of the early 1920s, and evaluates its achievements.Detlef Mertins is an architect, historian, and professor at the University of Pennsylvania. He is editor of Walter Curt Behrendt's The Victory of the New Building Style (Getty Publications, 2000) and The Presence of Mies. Michael W. Jennings is the Class of 1900 Professor of Modern Languages in the Department of German at Princeton University. He is the author of Dialectical Images: Walter Benjamin's Theory of Literary Criticism and coauthor of The Author as Producer: A Life of Walter Benjamin.
Art styles --- Journalism --- anno 1920-1929 --- Magazine --- Design --- Avant-garde
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avant-garde --- film --- design --- architectuur --- typografie --- G : Material zur elementaren Gestaltung (1923-1926) --- El Lissitzky --- Arp, Hans --- Benjamin, Walter --- Gabo, Naum --- Grosz, Georg --- Hausmann, Raoul --- Mies van der Rohe, Ludwig --- Man Ray --- Richter, Hans --- Tzara, Tristan --- van Doesburg, Theo
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Art --- Avant-garde (Aesthetics) --- Architecture --- Arts, European --- Avant-garde (Esthétique) --- Arts européens --- Periodicals --- History --- Périodiques --- Histoire --- G : Material zur elementaren Gestaltung --- Aesthetics --- Modernism (Art) --- Avant-garde (Esthétique) --- Arts européens --- Périodiques
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Phylogenesis--wait, we'll explain the title soon--is structured as a reflection on the work that Foreign Office Architects (FOA) has produced during its first 10 years of practice. With its genesis as a primarily speculative and academic endeavor, FOA has recently expended much energy in the development of a technical arsenal for implementing real projects. Such explorations have been undertaken through a series of competitions, speculative commissions, and lately some real projects, some of them already completed, others still under construction. The outcome of these years is seen not just as a series of experiments, defined by the specific conditions of a project, but as a consistent reservoir of architectural species to be proliferate, mutated, and evolved in the near future. With the spirit of a scientific classification, the genesis of the projects is here identified as the evolution of a series of "phylums," actualized--and simultaneously virtualized--in their application to the specific conditions where the projects take place. Phylogenesis also includes an FOA-curated compilation of previously published texts from several critics who analyze "external" topics that relate to different aspects of the firm's discourse. (extrait de l'introduction)
Pratique architecturale --- Processus de conception --- Production du cadre bati --- Foreign office architects --- Foreign Office Architects --- FOA --- Zaera Polo, Alejandro --- Moussavi, Farshid --- Foreign Office Architects : Farshid Moussavi, Alejandro Zaera-Polo, Friedrich Ludewig, Kensuke Kishikawa, Kenichi Matsuzawa, Kazuhide Doi, Nerea Calvillo, Jordi Pagès i Ramon, Pablo Ros --- Architectuur ; stedenbouw ; 1995-2003 ; Foreign Office Architects (FOA) --- Architectuurgeschiedenis ; 2000 - 2050 --- 72.036 --- Architectuur en digitalisering --- 72.07 --- 72.039 --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Architecten. Stedenbouwkundigen A - Z --- Architecture --- Forme, Théorie de la (topologie) --- Typologie (architecture) --- Aspect social --- Forme, Théorie de la (topologie)
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Architecture --- Fonctionnalisme (architecture) --- Mouvement moderne (architecture) --- Philosophie
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