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Arts du spectacle, cinéma et audiovisuel ont bâti leur expansion sur une exception sociale et culturelle énigmatique : l'hyperflexibilité contractuelle de l'emploi, assortie d'une assurance non moins flexible contre le chômage. Paradoxes : l'emploi augmente, mais le chômage encore plus vite ; un conflit social retentissant, mais des employeurs solidaires de leurs salariés ; vingt-cinq ans de réformes, mais aucune réussie, des accusations d'abus lancées de toutes parts, mais un déni général de responsabilité. A partir de données inédites, Pierre-Michel Menger établit les faits, mesure les évolutions, soupèse les avantages et les dérives de l'emploi en contrats courts et chômage long. Le régime des intermittents du spectacle est passé au crible : ses règles, ses comptes, son utilisation, ses jeux stratégiques, ses subtilités paritaires et politiques. Cette analyse clinique permet de dégager une nouvelle approche et un scénario original de réforme.

Sociology of work --- Temporary employment --- Performing arts --- Artists --- Industrial sociology --- Travail temporaire --- Artistes --- Sociologie industrielle --- Law and legislation --- Employees --- Legal status, laws, etc. --- Social conditions --- Droit --- Conditions sociales --- Artistes du spectacle --- Travail precaire --- Conditions de travail --- Conditions economiques --- Artistes du spectacle - Conditions de travail - France --- Artistes du spectacle - France - Conditions economiques --- Travail precaire - Droit - France --- Social conditions.

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Industrial sociology --- Creation (Literary, artistic, etc.) --- Artists --- Sociologie industrielle --- Création (Arts) --- Artistes --- Arts --- Arts and society. --- Arts, Modern --- Marketing. --- Economic aspects. --- Economic conditions. --- Social conditions. --- Création (Arts) --- Arts - Marketing. --- Arts - Economic aspects. --- Artists - Economic conditions. --- Artists - Social conditions. --- Arts, Modern - 20th century. --- Arts, Modern - 21st century. --- Arts - Marketing --- Arts - Economic aspects --- Arts and society --- Artists - Economic conditions --- Artists - Social conditions --- Arts, Modern - 20th century --- Arts, Modern - 21st century

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Music --- Music and state. --- Musique --- Social aspects. --- Aspect social --- Politique gouvernementale --- Music and state --- -#SBIB:316.7C215 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- State and music --- Cultural policy --- Social aspects --- Cultuursociologie: muziek --- #SBIB:316.7C215 --- Music and society --- 78.87.1

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Creative work has been celebrated as the highest form of achievement since at least Aristotle. But our understanding of the dynamics and market for creative work �artistic work in particular �often relies on unexamined clichés about individual genius, industrial engineering of talent, and the fickleness of fashion. Pierre-Michel Menger approaches the subject with new rigor, drawing on sociology, economics, and philosophy to build on the central insight that, unlike the work most of us do most of the time, creative work is governed by uncertainty. Without uncertainty, neither self-realization nor creative innovation is possible. And without techniques for managing uncertainty, neither careers nor profitable ventures would surface. In the absence of clear paths to success, an oversupply of artists and artworks generates boundless differentiation and competition. How can artists, customers, entrepreneurs, and critics judge merit? Menger disputes the notion that artistic success depends solely on good connections or influential managers and patrons. Talent matters. But the disparity between superstardom and obscurity may hinge initially on minor gaps in intrinsic ability. The benefits of early promise in competition and the tendency of elite professionals to team up with one another amplify and disproportionately reward even small differences. Menger applies his temporal and causal analysis of behavior under uncertainty to the careers and oeuvres of Beethoven and Rodin. The result is a thought-provoking book that brings clarity to our understanding of a world widely seen as either irrational or so free of standards that only power and manipulation count.--

Art and society -- France. --- Artists -- France -- Social conditions. --- Creation (Literary, artistic, etc.). --- Creation (Literary, artistic, etc.) --- Artists --- Art and society --- Art, Architecture & Applied Arts --- Fine Arts - General --- Social conditions --- Social conditions. --- Creative ability in art --- Creative ability in literature --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Persons --- E-books --- #SBIB:316.7C330 --- #SBIB:316.7C333 --- #SBIB:316.334.2A74 --- Cultuurfunctionarissen --- Kunstenaars --- Beroepensociologie: hoger opgeleiden, professies

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Le travail crée et transforme le monde social. Son incarnation la moins prévisible et la plus admirée, l’invention artistique et scientifique, semble défier l’analyse causale et les régularités statistiques. Bien plus que l’exploration des processus conscients et infraconscients de l’inventivité individuelle, c’est l’écologie sociale du travail créateur qui donne prise à l’analyse sociologique. Celle que propose Pierre-Michel Menger distingue trois caractéristiques essentielles : une différenciation illimitée des productions, des mécanismes de concurrence exploitant l’incertitude de la réussite et une concentration disproportionnée des gains et des réputations.

Management --- Business & Economics --- Management Styles & Communication --- travail --- création --- création artistique --- recherche scientifique --- recherche --- sociologie