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This book questions the artistic, aesthetic, political and ethical legacy of E. M. Forster's novels. It covers Forster's literary, cinematic and musical legacies across the twentieth and twenty-first centuries, and deal with many authors, such as Melville, Isherwood, Hollinghurst and Kureishi.
Forster, E. M. --- Álvarez --- Beatriz --- British --- Cavalié --- Connect --- E.M. Forster --- Elsa --- englishness --- Faedo --- Fiction --- Forster's --- gay studies --- Ibáñez --- intertextuality --- José --- Laurent --- Legacies --- María --- Mellet --- Penas --- postcolonial studies --- rewritings
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Manuel présentant les bases de l'esthétique cinématographique et des termes d'analyse, ainsi que les théories de l'adaptation dans une réflexion sur le texte source et sur son adaptation filmique. Avec des études de cas et un lexique français-anglais commenté de l'écriture filmique.
Film adaptations --- Motion pictures --- Film criticism --- Adaptations cinématographiques --- Cinéma --- Critique cinématographique --- History and criticism --- Aesthetics --- Histoire et critique --- Esthétique --- American literature --- Film noir --- Film adaptations - History and criticism --- American literature - Film adaptations --- Film noir - United States - History and criticism
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The aim of the book is twofold: first, to provide an overview of the critical history of eccentricity; and secondly to conceptualise a notion that is often presented as a defining feature of the English "character". It addresses the key issues raised by eccentricity and brings out interdisciplinary links between science, politics, literature and the arts: the sources and dissemination of the concept of eccentricity; its relationship with the English national character as historical and ideolo...
Eccentrics and eccentricities --- Eccentrics in literature. --- English literature --- Eccentrics and eccentricities in literature --- Cranks (Persons) --- Eccentricities --- Fixed ideas --- Characters and characteristics --- Curiosities and wonders --- Personality --- History and criticism.
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L’adaptation filmique a toujours été essentielle au septième art, qu’il s’agisse du recours aux textes littéraires classiques utilisés dès les premiers films pour donner au nouveau média une aura de respectabilité, de l’utilisation des romans noirs pour populariser la cinématographie des expressionnistes allemands, ou de la pratique actuelle d’adaptations visant à capter un public déjà acquis (par exemple les adeptes des romans de Jane Austen, ou de best-sellers comme Twilight ou des jeux vidéo comme Doom). Toutefois, l’adaptation a souvent été dénigrée : les amateurs des textes-sources déplorent le manque de fidélité du film, alors que les adeptes d’un cinéma « pur » regrettent que ce souci de fidélité aboutisse à un film « littéraire » qui n’explore pas ses possibilités proprement filmiques. Au-delà de ces clivages, cet ouvrage cherche à présenter les enjeux du phénomène : il réunit quinze spécialistes qui traitent des différents aspects de l’adaptation : ses raisons économiques, sa problématisation de la théorie de l’auteur chère à la Nouvelle Vague, et surtout, ce que l’étude comparative du texte et son image peuvent s’apporter mutuellement en termes de supplément de sens. Le livre se conclut avec trois articles qui proposent une méthodologie de l’étude de l’adaptation, incitant le lecteur à son tour à se livrer à des études d’adaptations.
Motion pictures and literature --- Film Radio Television --- cinéma --- adaptation --- littérature et cinéma
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Through its take on ‘the humble’, this volume attempts to reveal the depth and philosophical relevance of literature, its ethical and political dimension as well as its connection to life. Because it can be associated with social class, religion, psychology or ethics, the notion of ‘the humble’ lends itself to diverse types of studies. The papers collected in this volume argue that in the course of the 19th, 20th and 21st centuries, artists and writers have revisited the term ‘humble’ and, far from treating it as a simple motif, have raised it to the status of an aesthetic category. This category can first foster a better understanding of fiction, poetry, painting, and their representation of precarious lives through various genres and modes. It may also draw attention to neglected or depreciated humble novels or art forms that developed from the Victorian to the contemporary period, through the Edwardian and the modernist eras. Finally, it helps revise assumptions about the literature and art of the period and signals to a poetics of the humble. The works of art examined here explore the humble as a possible capacity and ethical force, a way of being and acting.
Literature --- poetry --- aesthetics --- ethics --- politics --- fiction --- arts --- (post)modernism --- theatre
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Over the last few decades, in the wake of the ‘Ethical Turn’, contemporary literature has been examined through the prism of the ethics of alterity. Yet, this may not be consistently the case with Victorian and Modernist literature, since relatively few of the authors of those periods have elicited such critical and theoretical scrutiny. The articles in this volume set off to re-read Victorian and Modernist literature in the light of the ethics of alterity and investigate whether the post-Auschwitz, contemporary period breaks away from or favours lines of continuity with the productions of the earlier era. It also strives to address works which do not belong to the canon, focusing alternately on great authors and less known artists, on what has been termed ‘minor’ texts or genres that are less visible than the novel. Approaching literature by examining the relations between ethics and aesthetics, even while adopting an ethical approach, helps the authors in this volume contribute to revising the contemporary, Modernist and Victorian canon in English Literature.
Literature --- modernism --- ethics --- politics --- alterity --- British arts --- contemporary art
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