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Cinéma --- Cinéma expérimental --- Cinéma underground --- ETATS-UNIS --- Films expérimentaux --- Films underground --- ETATS-UNIS. --- Films expérimentaux. --- Films underground.
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316.773.3:654.197 --- #SBIB:309H1520 --- #SBIB:309H040 --- #SBIB:309H525 --- Televisieprogramma's: communicatie--(communicatiesociologie); z.o. {654.197} --- Radio en/of televisieprogramma’s: algemene werken (functies, genres, taalgebruik, historiek) --- Populaire cultuur algemeen --- Sociologie van de audiovisuele boodschap --- 316.773.3:654.197 Televisieprogramma's: communicatie--(communicatiesociologie); z.o. {654.197}
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Popular culture --- Television broadcasting --- Women on television. --- Social aspects --- Women on television --- Women in television --- Women in television plays --- Television
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De five ages waarvan sprake in de titel bestaan in feite drie decennia, van 1970, het jaar waarin de feministische film en de feministische filmtheorie officieus geboren werden, tot en met vandaag. De rode draad doorheen het boek (en dus ook doorheen de feministische filmtheorie) is de theorie van de freudiaanse psychoanalyse, die door sommige feministische filmtheoretici centraal werd geplaatst, maar door andere verguisd. Het boek van Mellencamp is onderverdeeld in vijf grote hoofdstukken, die elk een stroming binnen de feministische theorievorming rond film belichten. Deze vijf stromingen zijn: 1) het intellectuele feminisme, 2) het experimentele feminisme, 3) het strijdfeminisme, 4) het empirische feminisme en 5) het economische feminisme.
Feminist film criticism. --- Feminist films. --- Women in motion pictures. --- Film --- Sociology of the family. Sociology of sexuality --- Mass communications --- Feminism --- Feminist criticism --- Movie review --- Movies --- Viewing habits --- Film directors --- Images of women --- Book
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Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit.
Experimental films --- Feminism and motion pictures. --- Feminism and motion pictures --- Film --- Music, Dance, Drama & Film --- Motion pictures and feminism --- Motion pictures --- History and criticism. --- History and criticism --- 791.41 --- Avant-garde --- feminisme --- film --- filmgeschiedenis --- filmtheorie --- Televisie --- Video --- Theorie --- Frauenfilm --- Experimentalfilm --- Experimental films. --- PERFORMING ARTS --- Films experimentaux --- Feminisme et cinema. --- Film & Video --- Reference. --- Histoire et critique. --- Show business --- Arts --- Performance art --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Video art
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" . . . acute look at the state of contemporary culture . . . A humorous . . . book, it yields rewarding advice for our perception of reality and fiction." --Back Stage / Shoot"Mellencamp's ease of movement between the conceptual and the commonplace is the great strength of this work. . . . High Anxietyis an invaluable contribution to the cultural studies debate . . . " --Art + TextWritten with wit and flair, High Anxietyis a critique of the temporality of U.S. television, a narrative journey between Freud's texts on obsession and the cult of anxiety pervading contemporary culture. Operation Desert Storm, I Love Lucy, Anita Hill, Twin Peaks, and Oprah are a few of the subjects which form this "anxious" mosaic of popular culture.
TELEVISION BROADCASTING --- POPULAR CULTURE --- WOMEN IN TELEVISION --- PERFORMING ARTS --- SOCIAL SCIENCE --- Television Broadcasting --- Popular Culture --- Women In Television --- Performing Arts --- Social Science --- Television broadcasting --- Popular culture --- Women in television --- Performing arts --- Social science
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"This intellectually sexy collection features some of the best and brightest academic media analysts from Britain and the United States." --Voice Literary Supplement"The essays in this volume rigorously engage the challenges of postmodern cultural criticism and theory, the central contemporary debate in the humanities." --Communication Abstracts"Mellencamp has produced a challenging and an invigorating text. . . . It should provide much inspiration." --Journal of Communication"This is a particularly good collection of thirteen papers with, overall, much more theoretically interesting yet less obscure and more pleasure-giving content than the norm. Give it priority." --Media Information AustraliaThese essays, on the cutting edge of theoretical debate in the humanities, rigorously engage the challenges of postmodern cultural critique and theory. They range widely from detailed historical research to broad questions of theory and method.Contributors are Patricia Mellencamp, Meaghan Morris, John Caughie, Charlotte Brunsdon, Lynn Spigel, William Boddy, Eileen R. Meehan, Andrew Ross, Lynne Joyrich, Jane Gaines, Margaret Morse, Mary Ann Doane, and Stephen Heath.
TELEVISION BROADCASTING --- PERFORMING ARTS --- Television Broadcasting --- Performing Arts --- Television broadcasting --- Performing arts
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Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit.
Experimental films. --- Experimental films --- History and criticism. --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Film history, theory & criticism
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316.773.2 --- Motion picture music --- -Motion picture music --- -Motion picture plays --- -#SBIB:309H524 --- ed. by Stephen Heath and Patricia Mellencamp --- film --- literatuur --- film en literatuur --- semiotiek --- film en semiotiek --- film en taal --- woord en beeld --- feminisme --- narratologie --- Marx Brothers --- Japan --- Mizoguchi Kenji --- Kabuki --- surrealisme --- monologue intérieur --- 791.41 --- Background music for motion pictures --- Film music --- Motion pictures --- Movie music --- Moving-picture music --- Dramatic music --- Music --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Communicatiemiddel. Communicatiemedium. Mediatechnologie--(communicatiesociologie); massamedia zie {316.774} --- Directories --- Bibliography --- History and criticism --- -Congresses --- Audiovisuele communicatie: semiotiek --- Motion picture plays --- Bibliography. --- Directories. --- Congresses. --- 316.773.2 Communicatiemiddel. Communicatiemedium. Mediatechnologie--(communicatiesociologie); massamedia zie {316.774} --- Film scores --- CDL --- -Directories
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