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Mimesis, with its connecting concepts of imitation, simile, and similarity, has been cited since classical times in the exploration of the relationship between art and reality. In this major study Arne Melberg discusses the theory and history of mimesis through narratological analysis of texts by Plato, Cervantes, Rousseau, and Kierkegaard. Moving away from the relatively straightforward 'representation of reality' ideas in Erich Auerbach's Mimesis (1946), Melberg brings the concept of mimesis into the context of the literary theories of de Man and others. Theories of Mimesis is a strenuously argued account of language and time, charting the movement of mimesis from the Platonic philosophy of similarity to modern ideas of difference.

Literature --- Mimesis in literature --- Mimésis dans la littérature --- 82 --- Literatuur. Algemene literatuurwetenschap --- Mimesis in literature. --- 82 Literatuur. Algemene literatuurwetenschap --- Mimésis dans la littérature --- Representation (Literature) --- Imitation in literature --- Realism in literature --- 82 Literature in general --- Literature in general --- Arts and Humanities --- Imitation (esthétique) --- Imitation (littérature)

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Literature and society.

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Swedish literature --- Literature and society --- Middle class --- Middle class in literature. --- History and criticism.

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Denna bok presenterar 24 poeter i lika många kapitel. De tolv första är hämtade från den stora västerländska traditionen och de tolv senare från den svenska. Båda räckorna är kronologiskt upplagda, från lyrikhistoriens början fram till vår samtid...[Bokinfo].