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The papers in this volume illustrate the way in which various types of technical evidence, derived from scientific examination and analysis, can contribute to the understanding of Renaissance workshop practices and the inter-relationships between different artists and artisans. These studies provide a vivid insight not only into the organization of craft and artistic endeavour in studios and workshops, but also into the everyday lives and concerns of those who ran and worked within them, showing that a great number of the challenges facing these artists and craftsmen are still relevant today. Originality and individuality were balanced against a sense and knowledge of what would sell, and the temptation to replicate the popular competed with the desire to innovate. Artists sought to make the best use of scarce, expensive materials and perhaps balanced the lower costs of those sourced or produced locally against the merits (in the guise of quality and exoticism) of more expensive imports. While the business of the studio is a common theme, another is intercommunication and the spread of ideas - between individuals, among studios and across national boundaries. The examination of materials and techniques has enabled some of these connections to be made, providing an insight into the transfer of concepts and practices as regional and traditional styles were influenced through contacts between cultures and generations.
Art, Renaissance --- Art --- Conservation and restoration --- ateliers [studios, organizations] --- workshops [organizations] --- Matériel d'artistes --- anno 1400-1499 --- anno 1500-1599 --- Renaissance --- Ateliers d'artiste --- Technique --- Conservation et restauration --- Ateliers d'artistes --- Matériel d'artistes. --- Artists' materials --- Artists' studios --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art studios --- Artists' workshops --- Ateliers --- Studios, Artists' --- Workshops, Artists' --- Workshops --- Art material --- Art materials --- Art supplies --- Painters' materials --- Renaissance art --- Equipment and supplies --- Art, Renaissance - Congresses --- Art - Conservation and restoration - Congresses
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Recent research has demonstrated that, in the Roman, Late Antique, Early Islamic and Medieval worlds, glass was traded over long distances, from the Eastern Mediterranean, mainly Egypt and Israel, to Northern Africa, the Western Mediterranean and Northern Europe. 'Things that travelled', a collaboration between the UCL Early Glass Technology Research Network, the Association for the History of Glass and the British Museum, aims to build on this knowledge. Covering all aspects of glass production, technology, distribution and trade in Roman, Byzantine and Early Medieval/Early Islamic times, including studies from Britain, Egypt, Cyprus, Italy and many others, the volume combines the strengths of the sciences and cultural studies to offer a new approach to research on ancient glass. By bringing together such a varied mix of contributors, specialising in a range of geographical areas and chronological time frames, this volume also offers a valuable contribution to broader discussions on glass within political, economic, cultural and historical arenas.
Glass trade --- Glass manufacture --- SOCIAL SCIENCE / Archaeology --- History. --- Glassware
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Glassware, Classical --- Glassware, Ancient --- Social Science --- Antiques & Collectibles --- Mediterranean Region --- Glassware. --- Archaeology. --- Glass & Glassware. --- Antiquities. --- Archaeology
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Annotation
Social Science --- Antiques & Collectibles --- Mediterranean Region --- Glassware. --- Glassware, Classical --- Glassware, Ancient --- Archaeology. --- Glass & Glassware. --- Antiquities. --- Archaeology
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Recent research has demonstrated that, in the Roman, Late Antique, Early Islamic and Medieval worlds, glass was traded over long distances, from the Eastern Mediterranean, mainly Egypt and Israel, to Northern Africa, the Western Mediterranean and Northern Europe. Things that Travelled, a collaboration between the UCL Early Glass Technology Research Network, the Association for the History of Glass and the British Museum, aims to build on this knowledge. Covering all aspects of glass production, technology, distribution and trade in Roman, Byzantine and Early Medieval/Early Islamic times, including studies from Britain, Egypt, Cyprus, Italy and many others, the volume combines the strengths of the sciences and cultural studies to offer a new approach to research on ancient glass. By bringing together such a varied mix of contributors, specialising in a range of geographical areas and chronological time frames, this volume also offers a valuable contribution to broader discussions on glass within political, economic, cultural and historical arenas.
Museology & heritage studies --- Archaeology --- Archaeology by period / region --- Industrial archaeology --- Physical anthropology --- archaeology --- technology --- ancient glass --- mediterranean --- Antimony --- Late antiquity --- Manganese
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Recent research has demonstrated that, in the Roman, Late Antique, Early Islamic and Medieval worlds, glass was traded over long distances, from the Eastern Mediterranean, mainly Egypt and Israel, to Northern Africa, the Western Mediterranean and Northern Europe. Things that Travelled, a collaboration between the UCL Early Glass Technology Research Network, the Association for the History of Glass and the British Museum, aims to build on this knowledge. Covering all aspects of glass production, technology, distribution and trade in Roman, Byzantine and Early Medieval/Early Islamic times, including studies from Britain, Egypt, Cyprus, Italy and many others, the volume combines the strengths of the sciences and cultural studies to offer a new approach to research on ancient glass. By bringing together such a varied mix of contributors, specialising in a range of geographical areas and chronological time frames, this volume also offers a valuable contribution to broader discussions on glass within political, economic, cultural and historical arenas.
archaeology --- technology --- ancient glass --- mediterranean --- Antimony --- Late antiquity --- Manganese
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Glassware, Classical --- Glassware, Ancient --- Social Science --- Antiques & Collectibles --- Glassware. --- Glassware, Classical --- Glassware, Ancient --- Archaeology --- Archaeology. --- Glass & Glassware. --- Mediterranean Region --- Mediterranean Region --- Antiquities. --- Archaeology
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"The British Museum holds one of the most extensive and important collections of early Christian and late antique gold glass in Europe and the United States. With the last publication of the British Museum's collection in 1901, this catalogue by Daniel Thomas Howells not only brings the collection up to date, but sets it within a wider historical context, questioning basic assumptions about the form, function and costs of gold glass in a fourth-century context. The book offers a reinterpretation of technical methods, workshop practices, location and distribution and is the first study to differentiate workshops on the basis of detailed iconographic analyses of individual pieces of gold glass both in the British Museum and the Vatican. Howells also provides fascinating new insights into early Christian iconography as well as other scenes of Jewish and pagan life in late antiquity which have been largely overlooked in previous studies of gold glass"--Page 4 of cover.
Enameled glass --- Glassware, Ancient --- Verre émaillé --- Verrerie antique --- Catalogs --- Catalogues --- British Museum --- Glassware, Ancient. --- England --- Gold glass --- Glassware, Roman --- Christian antiquities --- Glassware --- British Museum. --- Gold glass - Catalogs. --- Glassware, Roman - Catalogs. --- Christian antiquities - Catalogs. --- Glassware - England - London - Catalogs. --- Verres à fond d'or --- Art byzantin. --- Art du verre. --- British museum (Londres) --- British museum (Londres). --- Collections archéologiques.
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