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Say it loud! : African-American audiences, media, and identity
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ISBN: 0815337620 113521610X 0203873114 1135216118 9781135216108 9780203873113 0815337612 9780815337614 9780815337621 9780203873113 9781135216115 9781135216061 1299809707 Year: 2002 Publisher: New York : Routledge,

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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.


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Horror noire : blacks in American horror films from the 1890s to present
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ISBN: 9780415880206 0415880203 9780203847671 9781136942945 9781136942891 9781136942938 9780415880190 Year: 2011 Publisher: New York : Routledge,

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Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, examines key levels of black participation on screen and behind the camera, and unpacks the genre's racialized imagery and narratives that make up popular culture's commentary on race.

African American viewers and the Black situation comedy : situating racial humor.
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ISBN: 0815337817 Year: 2000 Publisher: New York (N.Y.) Garland

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Horror noire : a history of Black American horror from the 1890s to present
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ISBN: 1003168256 1003168256 100077516X Year: 2023 Publisher: London, England ; New York, New York : Routledge,


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Horror noire : blacks in American horror films from the 1890s to present
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ISBN: 1283435292 9786613435293 0203847679 1136942947 Year: 2011 Publisher: New York : Routledge,

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From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, a


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Horror Noire: A History of Black American Horror From the 1890s to Present
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ISBN: 1000775119 Year: 2022 Publisher: Taylor & Francis (Unlimited)

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From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day.In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films, including mainstream Hollywood fare, art-house films, Blaxploitation films, and U.S. hip-hop culture-inspired Nollywood films. This new edition also explores the resurgence of the Black horror genre in the last decade, examining the success of Jordan Peele's films Get Out (2017) and Us (2019), smaller independent films such as The House Invictus (2018), and Nia DaCosta's sequel to Candyman (2021). Means Coleman argues that horror offers a unique representational space for Black people to challenge negative or racist portrayals, and to portray greater diversity within the concept of Blackness itself.This book is essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.


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The Blacker the Ink : Constructions of Black Identity in Comics and Sequential Art

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