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"An accessible and richly illustrated exploration of how art and design have driven major social and political change in the 21st century. Features the work of over 200 artists, from the famous such as Ai Weiwei and Shepard Fairey, to the anonymous influencers working through social media. Richly illustrated with over 400 images, this is a visual guide to the most influential and highly politicised imagery of the digital age. Explores themes and issues such as popular uprisings (the Arab Spring, the London Riots) social activism (marriage equality), and environmental crises (Hurricane Katrina), as well as the recent Je Suis Charlie protests Global in outlook, it features exciting work from emerging economies such as Brazil, Russia, China and the Middle East, as well as the US and Europe. Complements Phaidon titles 'Graphic agitation' and 'Graphic agitation 2' by providing insight to the art and design shaping today's global political landscape"
pollution --- wars --- social conflict --- political art --- terrorism --- revolutions --- art [fine art] --- multiculturalism --- dissident art --- social stratification --- Art --- anno 2000-2099 --- Art, Modern --- 754.49 --- affiches --- politiek --- oorlog --- welzijn --- socia --- Modern art --- Political aspects. --- Political aspects --- grafische vormgeving, volgens thema, overige --- MAD-faculty 15 --- grafisch design --- kunst en maatschappij --- Nieuwe Ploeg (Group of artists) --- art [discipline]
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Graphic Agitation 2 explores graphic protest in the digital age, in particular over the years since the Gulf War. The book deals with a range of protest imagery from hi-tech and low-tech to no-tech and is comprehensively illustrated with images ranging from lollipop wrappers to websites.
Affiche politique --- Commercial art --- Social problems in art --- Politics in art --- Themes, motives --- 766.036 --- Liz McQuiston --- affiches --- andersglobalisme --- antiglobalisme --- eenentwintigste eeuw --- engagement --- geschiedenis --- grafiek --- grafische vormgeving --- grafische- en reclamevormgeving --- politiek --- posters --- propaganda --- protest --- reclame --- twintigste eeuw --- underground --- 754.49 --- ecologie --- welzijn --- grafische vormgeving, volgens thema, overige --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art --- Art and industry --- Graphic arts --- Posters --- Visual communication --- Motion picture billboards --- Commercial art - Themes, motives
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766 --- 769.91 --- 659.154 --- 659.154 Wrapping, packaging, decoration of goods for advertising purposes. Marking, identification --- Wrapping, packaging, decoration of goods for advertising purposes. Marking, identification --- 769.91 Prentenverzamelingen: affiches posters uithangborden --- Prentenverzamelingen: affiches posters uithangborden --- 766 Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek --- 769.91 Prentenverzamelingen: affiches; posters; uithangborden --- Prentenverzamelingen: affiches; posters; uithangborden --- grafische vormgeving --- Graphic arts --- graphic design --- 754.29 --- affiches --- briefhoofdingen --- brochures --- huisstijl --- typografie --- verpakking --- grafische vormgeving, verzamel
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Typographe --- Graphiste --- Designer --- Graphisme --- Femme --- Design --- Architecte --- Little, Mary --- Young, Susan --- Wilson, Lynne --- Wild, Lorraine --- Vigo, Nanda --- Vignelli, Lella --- Spear, Laurinda --- Smithson, Alison --- Sky, Alison --- Schreiber, Gaby --- Sabnani, Nina --- RÖling, Marte --- Rogers, Su --- Renault, Monique --- Reed, Sarah --- Ranzo, Patrizia --- Radice, Barbara --- Scott Brown, Denise, --- Puppa, Daniela --- Prietsman, Jane --- Pasquier, Nathalie Du --- Neurath, Marie --- Milner, Alison --- Mccoy, Katherine --- Levrant De Breteville, Sheila --- Kroll, Natasha --- Jiricna, Eva --- Jankel, Annabel --- Hasegawa, Itsuko --- Hamid, Ruhi --- Hadid, Zaha --- Greiman, April --- Gray, Nicolete --- Fraser, June --- Fenton, Prudence --- Dillon, Jane --- Cooper, Muriel --- Casey, Jacqueline --- Butler, Frances --- Boeri, Cini --- Beese, Hedda --- Adam, Katrin --- 20e siècle --- Women designers --- 772.6 --- vrouwen --- designers --- ontwerpers --- productdesign --- architectuur --- interieurarchitectuur (interieurvormgeving) --- grafische vormgeving --- animatiefilm --- film --- televisie --- meubelkunst --- meubelen --- verlichting --- Scott Brown, Denise --- Du Pasquier, Nathalie --- Smithson, Allison --- postmodernisme --- eighties --- 20e eeuw (twintigste eeuw) --- Designers --- History --- productdesign, historisch, 1945-, algemeen --- Hadid, Zaha, --- Typographie --- Scott Brown, Denise, 1931 --- -Puppa, Daniela --- Hadid, Zaha, 1950-2016 --- Femme, thème
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Commercial art --- Politics in art --- Social problems in art --- 754.49 --- ecologie --- grafische vormgeving --- politiek --- propaganda --- welzijn --- 766.044 --- Grafische vormgeving ; sociale en politieke reclame ; 1960-1993 --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art --- Art and industry --- Graphic arts --- Posters --- Visual communication --- Motion picture billboards --- Themes, motives --- grafische vormgeving, volgens thema, overige --- Gebruiksgrafiek ; Iconografie ; historische voorstellingen --- anno 1900-1999 --- 766.31.043 --- Grafische industrie en ontwerp ; beeld ; reclame ; thema's ; propaganda
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An authoritative, richly illustrated history of six centuries of global protest artThroughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics.Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth's Gin Lane, Thomas Nast's political caricatures, French and British comics, postcards from the women's suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the "Silence=Death" emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong's Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes.From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women's March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.
Political art. --- Political posters --- Protest movements. --- ART / Art & Politics. --- Social movements --- Campaign posters --- Political collectibles --- Posters --- Activist art --- Protest art --- Resistance art --- Social art --- Art --- History. --- Political sociology --- Graphic arts --- graphic design --- history [discipline] --- revolutions --- political art --- graphic arts --- Activism. --- Adolf Hitler. --- Adolf. --- Advertising campaign. --- Advertising. --- Alamy. --- Alberto Korda. --- Anti-war movement. --- Apartheid. --- Art movement. --- Ben Shahn. --- Black people. --- Campaign for Nuclear Disarmament. --- Caricature. --- Cartoon. --- Cartoonist. --- Charlie Hebdo. --- Che Guevara. --- Civil disobedience. --- Civilization. --- Combatant. --- Communism. --- Dada. --- Defamation. --- Designer. --- Dictatorship. --- Editorial cartoon. --- El Lissitzky. --- Emblem. --- Environmentalism. --- Feminism (international relations). --- Feminism. --- Film poster. --- George Grosz. --- Global warming. --- Guerrilla Girls. --- Gulf War. --- Harper's Weekly. --- Headline. --- Iconography. --- Illustration. --- Illustrator. --- James Gillray. --- Je suis Charlie. --- Jesus Barraza. --- John Heartfield. --- LGBT. --- Le Charivari. --- Manifesto. --- March on Washington for Jobs and Freedom. --- Modernism. --- Mushroom cloud. --- National Association for the Advancement of Colored People. --- Nazi Germany. --- Nazi Party. --- Nazism. --- Newspaper. --- Nicaragua. --- Nuclear disarmament. --- Nuclear warfare. --- Nuclear weapon. --- Pamphlet. --- Pass laws. --- Photomontage. --- Political satire. --- Politician. --- Postcard. --- Poster. --- Power politics. --- Princeton University Press. --- Protest. --- Publication. --- Publishing. --- Racial segregation. --- Racism. --- Riot police. --- Sacco and Vanzetti. --- Satire. --- See Red Women's Workshop. --- Sexism. --- Simplicissimus. --- Soviet Union. --- Spanish Civil War. --- Special Relationship. --- Suffrage. --- Suffragette. --- Tear gas. --- Technology. --- Terrorism. --- The Quarto Group. --- Their Lives. --- Thomas Nast. --- Thomas Rowlandson. --- To This Day. --- Trade union. --- Trafalgar Square. --- Trayvon Martin. --- Tristan Tzara. --- Typography. --- Unemployment. --- communication design
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Social discontent and political protest have been expressed visually as well as verbally throughout the ages. Graffiti scribbles on a wall, pictures scattered in the street during marches, posters spread through the environment: all have played their part. For such agitational images represent a power struggle; a rebellion against an established order and a call to arms, or a passionate cry of concern for a cause. The book begins in the 16th century with the Reformation, when images could be produced in multiples. It then travels through decades and centuries of graphics: protesting against the miseries of war; satirising the foibles of royalty, politicians, religions, and society in general; calling for an end to racial discrimination and apartheid; demanding freedom from tyranny and dictatorships; struggling for LGBTQ+ rights; and, finally, attending to 21st-century concerns and Trumpisms. Each chronological chapter opens with a short introduction offering historical and artistic context to the period, followed by a copious and wide-ranging display of powerful protest graphics, grouped together by event or movement. Encompassing an astounding breadth of emotion—from hilarious satire to utter horror. Protest! is a tribute to the liberating concept of hard-won ‘freedom of speech'throughout history, and which still has agency in current times.
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Commercial art --- Art publicitaire --- History --- Histoire --- Grafische vormgeving ; reclame ; affiches ; 20ste eeuw --- Boekdesign ; illustraties ; boekomslagen --- Typografie --- Grafische vormgeving ; tijdschriften --- Hoezen ; grammofoonplaten --- Postzegels --- 766.037 --- 766.038 --- Gebruiksgrafiek ; 1900 - 1950 --- Gebruiksgrafiek ; 1950 - 2000
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