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Child prodigies have been observed in a range of disciplines - particularly music, mathematics, chess, and art. The question of what makes a prodigy has long been controversial. Some have dismissed the notion of giftedness, arguing that most famous prodigies had strong parental, cultural, and environmental influences that helped them develop their extraordinary abilities. One recent theory suggested that anyone could achieve outstanding success in whatever endeavour they wanted with a minimum of 10,000 hours of practice. Nevertheless, many studies of prodigies have suggested that there might be strong underlying cognitive differences, regarding their use of short-term versus long-term memory, spatial memory, imagery, and language. Whatever the arguments - for those interested in child development - prodigies remain a fascinating subject of study when considering questions about creativity, intelligence, development, and the impact of nature versus nurture. This books breaks new ground in presenting the first scientific exploration on the topic of musical prodigies. It brings together research from a range of disciplines, including psychology, neurobiology, and genetics, to provide a thorough exploration of prodigious talent. In addition, the book includes fascinating case studies of prodigies and also looks at their long-term development into adulthood - many child prodigies have had problems making the transition into adolescence and adulthood. Musical prodigies will be required reading for anyone interested in child development, music, and the arts
Child musicians. --- Gifted children. --- Music --- Musicians. --- Hochbegabung --- Interdisziplinarität --- Musik --- Musikalität --- Wunderkind --- Musicians --- Enfants musiciens --- Enfants surdoués --- Musique --- Psychological aspects. --- Aspect psychologique --- Interdisziplinarität --- Musikalität --- Enfants surdoués --- Musiciens --- Biography. --- Biographies
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Brain stimulation --- Brain --- Child development --- Cognition in children --- Music therapy --- Music --- Growth --- Instruction and study --- Psychological aspects
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Muziekpsychologie. --- Muzikale vorming. --- Creativiteit. --- Música (aspectos psicológicos) --- Musikpsychologie --- Musik --- Aufführung --- Music --- Musique --- Instruction and study. --- Performance --- Psychological aspects. --- Exécution --- Aspect psychologique --- Etude et enseignement --- #PBIB:2002.4 --- Música (aspectos psicológicos) --- Aufführung --- Exécution --- uitvoeringspraktijk --- muziekpsychologie --- Education, Musical --- Music education --- Musical education --- Musical instruction --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Instruction and study --- Performance&delete& --- Psychological aspects --- Study and teaching
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611 --- Naslagwerken muziekpedagogiek en didactiek - algemeen onderzoek --- Music --- Instruction and study. --- Social aspects --- Psychological aspects --- Music and technology --- Mass media and music --- Muziek --- Vorming en onderwijs
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The new edition of The Child as Musician: A Handbook of Musical Development celebrates celebrates the richness and diversity of the many different ways in which children can engage in and interact with music. It presents theory - both cutting edge and classic - in an accessible way for readers by surveying research concerned with the development and acquisition of musical skills. The focus is on musical development from conception to late adolescences, although the bulk of the coverage concentrates on the period when children are able to begin formal music instruction (from around age 3) until the final year of formal schooling (around age 18). There are many conceptions of how musical development might take place, just as there are for other disciplines and areas of human potential. Consequently, the publication highlights the diversity in current literature dealing with how we think about and conceptualise children's musical development. Each of the authors has searched for a better and more effective way to explain in their own words and according to their own perspective, the remarkable ways in which children engage with music. In the field of educational psychology there are a number of publications that survey the issues surrounding child and adolescent development. Some of the more innovative present research and theories, and their educational implications, in a style that stresses the fundamental interplay among the biological, environmental, social and cultural influences at each stage of a child's development. Until now, no similar overview has existed for child and adolescent development in the field of music. The Child as Musician addresses this imbalance, and is essential for those in the fields of child development, music education, and music cognition.
Musique --- Enfants musiciens --- Child musicians --- Music --- Etude et enseignement --- Instruction and study --- Child development. --- Music and children --- Cognition in children. --- Brain --- Psychological aspects. --- Instruction and study. --- Growth. --- Étude et enseignement. --- Enfants musiciens. --- 611 --- Naslagwerken muziekpedagogiek en didactiek - algemeen onderzoek --- Child development --- Muziekpedagogie --- Muziekontwikkeling --- Kinderen --- Jongeren --- Étude et enseignement --- Étude et enseignement
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Volume 1 of the Oxford Handbook of Music Performance is designed around four distinct sections : Development and Learning, Proficiencies, Performance Practices, and Psychology. Chapters cover a range of topics dealing with musical development, talent development, and chapters dealing with learning strategies from a self-directed student learning perspective and high impact teaching mindframes. Essential proficiencies include coverage of effective practice habits, through to the abilities of being able to play by ear, sight-read, improvise, memorize repertoire, and conduct and chapters that detail the highly personalized forms of musical expression that go beyond the printed notation or stylistic convention of the repetoire being performed. Chapters within the Performance Practices section cover some of the most fundamental aspects of performance practices from Baroque through to New Music repertoire and include chapters dealing with how emotions might be generated as a form of historically informed performance practice, and how creativity unfolds in the real-time dynamics of musical performance. The Psychology section concerns characteristics and individual differences in human behavior, cognition, emotion, and wellness. Across chapters in this section, several common threads and themes are evident: Our relationships with music itself and what it means to become and to be a musician, the tensions that can arise between the joy of music and the hard work required to develop musical skills, and the intimate connection between music performance and our social and emotional lives.
Music --- Musicians --- Practicing (Music) --- Performance. --- Instruction and study --- Psychological aspects. --- Health and hygiene. --- 517 --- Uitvoeringspraktijk
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Music --- Music and technology --- Mass media and music --- Instruction and study. --- Social aspects --- Psychological aspects
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This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact
Science: general issues --- Psychology --- Health --- Transfer of Learning --- Musical Training --- Music Therapy
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